Showing posts with label Bret Hart. Show all posts
Showing posts with label Bret Hart. Show all posts

Saturday, 31 May 2014

NXT Takeover review


Three months into the WWE Network Era and we already have our second live NXT special. Perhaps someone in WWE realised NXT is their most consistent and enjoyable weekly programme and decided to treat us. More likely it was simply felt that the NXT stars warranted another live airing. Whatever the reason it was certainly welcome.

The commentary team for the evening consisted of Tom Phillips, Byron Saxton and William Regal. It was a relief not to have Alex Riley clogging things up with his insipid comments. And I wasn’t sad that Jason Albert (formerly gaijin warlord Tensai) was sitting things out either. He’s far easier to take in the role than A-Ry but he’s still not close to being amongst WWE’s verbal elite.

Before I talk about the wrestling I’d like to mention William Regal. He’s always entertaining and knowledgable when providing commentary but he was particularly good here. He continually and tirelessly put over the efforts of all performers on the card, enhancing everyone with his comments and pushing NXT as the important part of the WWE machine it is. Particularly good was his commentary during the main event, during which he discussed British wrestling and the difficulties of making a name for oneself in the US as a foreign star

And he danced to Rusev’s music. The guy can do it all!

The show opened with Adam Rose entering Full Sail through the front door with his Exotic Express in tow. He came through the crowd. That simple little difference and the reaction he got made him look like a star. It’s a pity he’s not been given anything better to do since turning up on RAW because the characters very enjoyable (and is also facing a struggle because it fits better in the smaller NXT Arena than in the cavernous lairs RAWs held in every week.

By contrast Camacho didn't even get to ride out on his tricycle. And he was called a party pooper by the fans. He looked like the bit part player he is.

"Is that a lollipop in your pocket or are you just pleased to see me?"
Rose played around for the first minute before Camacho took control. He kept control until the end of their five minutes, at which point Rose hit a spinebuster, an Exotic Express (formerly the heat-magnet-when-performed-by-Sean-Waltman Bronco Buster) and his Ace Crusher DDT for the victory. In this environment Rose is tremendous.

A video package recapped Sami Zayn's feud with Cesaro and how hard he worked to get to WWE. Also mentioned was his personal dislike of Tyler Breeze. Personally I like both guys. It was an effective video package that demonstrated Zayn’s passion for wrestling, as well as the much-vaunted heart and desire that are an integral part of his appeal.

After that ring announcer announced 'Prince Pretty' had entered the building.

And then The Ascension came out. They were loudly cheered, as has become the fashion. It would be nice if WWE made an NXT tag division a priority. Konnor and Viktor are over but they can only go so far without any meaningful opposition. People like them squashing jobbers, but it won’t do them any favours in the long term.

Challengers Kalisto and EL Local (the masked identity of ring announcer extraordinaire Ricardo Rodriguez) jumped the champions before the bell, sending them to the outside of the ring. A pair of suicide dives were met with elbows. That put things in the champions' favour and things stayed that way for a few minutes. Kalisto was kept in the ring for a while. He mostly took clotheslines and punches but there was a fair bit of getting rammed into turnbuckles too.

The Legion of Ascension.
Eventually he tagged in El Ricardo. That sparked off a frenetic sequence involving all four. It didn't take long for The Ascension to isolate Local and drop him with Fall of Man for another successful title defence.

Tyler Breeze was shown in the back looking from a phone to a mirror and back again. Just in case it wasn’t clear from his general gimmick that he’s a narcissist, presumably. A video about him was shown. It was far more gimmicky than Zayn's, because Breeze is more of a wrestling character than an extension of a real life personality. That said they did have Breeze say that being pretty isn't all he can do. For the record Breeze is still doing his Zoolander voice all the time. And it's still fun.

Zayn v Breeze followed that. It was a number one contendership match. The winner would progress to a match against the winner of the NXT championship main event. ‘Prince Pretty’ debuted new music. It featured the line “Part man but all model” and was as great as that should imply.

They wrestled. For fifteen minutes. Non-stop. It was pretty great. After starting out with some counter wrestling they got the story underway: Breeze shoved Zayn off the top rope to the floor, which put Zayn on the back foot and played into his recent (storyline) concussion trouble. After Breeze had controlled the pace for a bit the pair broke into the big spots.

Zayn v Breeze: match of the night.
Highlights there included a sitdown moonsault to the outside by Zayn; Zayn's blue thunder bomb; a high power bomb from the corner by Breeze; an exploder suplex into a turnbuckle from Zayn; a perfect super kick from Breeze, which earned him a scintillating near fall; and a suplex into a blue thunder bomb from Zayn (which was a really convincing false finish). It was ‘The Gorgeous One’ who got the win when he gave Zayn a Beauty Shot after a low blow during a Helluva kick attempt. Regal claimed he was just getting his hands up to protect himself. Phillips didn't seem convinced.

Backstage we saw Bret Hart having a chat with Tyson Kidd and Natalya. I’d like to think he was praising Natty for wearing pink and black and encouraging Kidd to do the same.

Back at ringside Lana strutted out into the entranceway. She introduced Rusev, as she tends to, who came out waving a Russian flag very aggressively. Rusev has, according to Lana, expanded his power across RAW and SmackDown. Putin was shown on the big screen and got booed. That's a great little gimmick. Rusev spoke in Russian then waved his flag like a madman again.

Mojo Rawley, who I still don't see the appeal of, came out and reminded Rusev and 'The Ravishing Russian' they were in America. Babyfaces tend to assume foreigners forget where they are all the time. 'The Hype Man' rushed the ring, got knocked down, and placed in the Steiner Recliner (or, if you prefer, The Accolade). That didn’t satisfy ‘The Ravishing Russian. She had Rusev chuck Mojo out of the ring and placed in the hold on the entrance ramp. Afterwards Rusev did a lot of hilarious fist-shaking. I want that to become a regular part of his act.

The pro-Russian shtick can, in the context of WWE, be ended by only one man. I'll give you a hint: he sells a lot of merch. I still think that could be a significant match at SummerSlam.

Another backstage scene was shown. Charlotte was walking around with her dad. That segued into a video showing the Charlotte v Natalya feud. Natty said she wants to be the best Hart ever and how she's proud to be the first female wrestler of the family. Charlotte said she's improved and keeps improving. The whole thing was given a Harts versus Flairs vibe. That didn't help Charlotte, because she’s nowhere near as charismatic as 'The Nature Boy' and she never will be. It was also inaccurate because the Flairs are not a wrestling dynasty as the Harts are. Only one Flair has achieved anything of note in wrestling, and that’s ‘The Nature Boy’. You can’t get a one man family dynasty, not even if you’re Ric Flair.

Paige strode out to the ring before the women's championship match. She thanked the fans and said the next champion needed to exhibit strength, character and grace. Yes, the NXT women’s champion needs grace. Also, she made the point that holding the NXT belt can lead to bigger things and brought attention to her Divas championship. Talking's not her strong point but she didn’t do too badly. It helps that she’s basically playing a regular woman and so can more easily draw on her personal experience and beliefs.

Charlotte entered to an enjoyable techno ditty featuring samples of the Space Odyssey theme no wrestling fan can hear without thinking of her dad. Flair looked better than he had in years. Natalya got her regular boring music. Bret was wearing jeans. He looked like he’d been sleeping rough. His insistence on hanging on to his raggedy ponytail didn’t help there.

The two were presented as an even match for the most part. Charlotte was the first to enjoy an extended period of control, impressing with her figure four headlock. Natty came back with a snapmare and a dash across Charlotte's neck, which looked dangerous (an indication of how good Natalya is). Charlotte busted out a top rope moonsault. As was usually the case for her dad the move to the top didn't pay off as Natalya rolled out of the way. Still, it was a good move smoothly performed.

The first championship of sixteen?
Natalya locked in a Sharpshooter. Charlotte survived around thirty seconds before rolling through it and applying a figure four (woooooo!). Natty pushed up and reversed the pressure but Charlotte refused to break the hold. Then they slapped each other a bit. Finally Charlotte rolled to the outside and hung off the apron for extra leverage. That prompted referee and noted Flair enthusiast Charles Robinson to break the hold. As an insult to Bret, Charlotte applied the Sharpshooter to Natty, looking right at ‘The Hitman’ as she did so. Natalya promptly countered out of it but wasn't quick enough to avoid a Bow Down to the Queen. That gave ‘The Nature Girl’ the win and the title. It was a very good match. Charlotte in particular was impressive, though that may be because I didn't expect as much from her.

Flair went nuts at ringside (he kept his shoes on luckily) and then the two women hugged in the ring. Ric and Bret shook hands and then congratulated the other's charge. It was a nice moment for all involved and emphasised once again that NXT is the wrestling show, not a storyline show.

The final video of the evening was a look at the build-up to Tyson Kidd versus Adrian Neville for the latter’s NXT championship. Kidd talked about being hungry and wanting to get back to the big time. Neville discussed being undefeated in 2014 and facing a variety of opponents. It was an approach I'd like to see WWE use more: they used wrestling to create a story and made the men relatable through their aspirations within their field.

It was another match that started with counter wrestling. They put a twist on it by casting Tyson as the cocky veteran who was underestimating his foe. This was best shown when he decked Neville with a big elbow shot and ruffled his hair. They exchanged the advantage throughout the match but they never seemed to quite click with one another. It wasn't a bad match, it's just that they set a relatively sedate pace when you consider they're both known for being fast high-fliers.

Neville's still the champion. The belt's still ugly.
Highlights included a big power bomb by Neville; a Russian leg sweep countered from a second rope springboard by Kidd; Neville suplexing Kidd over the top rope and tumbling over with him; and Neville’s match-winning top rope hurricanrana and Red Arrow. One the subject of ‘The Jumping Geordie’s’ repertoire he could do with adding one or two key or setup moves. That would give fans more to react to beyond his (admittedly impressive) corkscrew shooting star.

Kidd hung around in the ring after the match. When Neville had finished celebrating (after about two minutes) he offered a handshake. Kidd barged passed him and walked out. Perhaps he felt irked that it took the champion so long to acknowledge him. If so that’s understandable. If they do a rematch, and I suspect they will, I hope the pair gel better than they did here.

There wasn’t a single duff performance on the show. The forgettable segments (Rose v Camacho and the Rusev beatdown) were inoffensive and there were two very good matches in Charlotte v Natalya and Zayn v Breeze. The main event was a tad siappointing but it was still a decent match. NXT Takeover is not going to go down as WWE’s finest show of the year but it will go down as an enjoyable one. I think that’s good result.

Sunday, 9 February 2014

New New Generation

Something we learned at Royal Rumble was that there is still hope for Dolph Ziggler. This may seem like an obvious thing to note, but it hasn’t been since Ziggler’s main event run ended last summer. After dropping the World Heavyweight championship to Alberto Del Rio at Payback in June and failing to regain it at Money in the Bank in July Ziggler slipped into a forgettable breakup feud with former heavy Big E Langston and then did, well, nothing of consequence.

From SummerSlam onwards Ziggler wrestled pointless matches on RAW and SmackDown and appeared only on pay-per-view pre-shows if he appeared at all on Sundays. It was very disappointing to watch a man who'd been one of the hottest guys in the company for the first six months of the year completely wasted like that.

But, as I say, the Royal Rumble showed that things weren't lost to 'The Show Off'. He got a rousing response when he sprinted to the ring and got similarly loud cheers when he performed his first sequence of moves. That his elimination was met with boos was a promising sign too. It all showed that people cared about Ziggler and wanted to see him do well.
 
Will Dolph ever be the WWE champion?
It's not just crowd support that demonstrates Ziggler could be doing more. A recent promo on the WWE app regarding a SmackDown loss to Antonio Cesaro revealed a passion that's rarely seen on WWE screens. 'The Show Off' talked about being the best on the roster and working hard to outdo everybody. It was clear how much success, or a lack of it, means to Ziggler and the buzz it created once again showed that fans remain interested in him and prepared to rally behind him. Had something similar been said in the ring, in front of a crowd, I'm convinced it would have had a great reaction. There's a lot to be said for letting wrestlers speak candidly in front of audiences. The realism can be sensed and it generates a better response.

The support for Ziggler stems from the same place as the support for Daniel Bryan. Fans desire new stars in top spots. The current list of top names in WWE is quite small but they've all been around for a long time (even Punk had been on top for going on three years when he walked out). People want new guys at the top because it will mean new matches, new scenarios and a new direction for the company, and because they want to see hard work rewarded. Bryan and Ziggler, as athletic men who have worked for years to become incredibly good at what they do, have understandably been singled out as men fans want to see succeed.
 
Vinnie Mac with his New Generation boys
Why WWE isn't listening to its audience is anyone's guess. The situation is similar to the one that was faced in the early nineties. Then Vince McMahon launched his New Generation campaign and structured events around smaller, more athletic wrestlers Bret Hart and Shawn Michaels. While business didn’t pick up until Hart left and Michaels took lengthy time off they were the men who helped the company stay afloat, and they were picked to succeed by fans.

Perhaps Vince is part of the trouble now. Or rather the lack of him might be. Triple H has become an increasingly important figure in the backstage working of WWE and while Vince will retain the final say on everything company related until the day he dies it's possible he's giving 'The Game' as close to a free rein as he'll allow anyone to test him out as a successor. It would explain the increased focus on Randy Orton, who seems to fit the mould of ‘The Game’s’ preferred headliner figure, and the lack of significant roles for men chosen by the fans. The pushes of Hart and Michaels, and later Austin, all show that Vince listens to fans after a while. We've no precedent for Triple H doing the same.

Last year should have been Ziggler's year. For that matter this year should be Daniel Bryan's. As I keep writing, and will almost certainly write again, sooner or later WWE will have to start creating new stars because a reliance on part-timers cannot go on forever: the returnees in question will retire sooner than later and the comebacks they make before they do will suffer from diminishing returns. There's still support for the Zigglers and Bryans of the roster. I remain hopeful WWE will act on it before WrestleMania so that the new guys are exposed to as many viewers as possible. Give people a reason to keep watching in May and beyond.

Monday, 21 October 2013

RPW Uprising 2013 review

In 2002 the Frontier Wrestling Alliance promoted a show called British Uprising. It was a massive success, for a number of reasons. First and foremost British wrestling fans, with only WWE’s new and mishandled Brand Extension on offer, were on the hunt for something to replace the void left by ECW and the Attitude Era (and possibly, to a far lesser extent, WCW). The FWA came along at just the right time to capitalise on that. A second reason for success was the canny use of foreign stars. Balls Mahoney and Jerry Lynn may not seem like the biggest names in wrestling now, but they were good choices at the time. Far more noteworthy was a young AJ Styles, who then seemed like he was on course to become one of the biggest stars in all of wrestling, as opposed to the biggest star in a wildly floundering promotion ten years later.

A third reason for the show’s success was a non-FWA show (later lumped in with genuine FWA shows) that had aired on Bravo the month before. The show aired at a reasonable time of day and produced decent viewing figures, thanks in large part to the involvement of Eddie Guerrero. It proved there was an audience for a homegrown product in Britain. It just had to be packaged in a suitable way and feature one or two wrestlers people had heard of.

The FWA used the success of British Uprising to turn themselves into the face of British wrestling for the next couple of years. They ran shows throughout the country, including more at York Hall, always ensuring they presented a card that catered to all tastes and featured foreign stars to attract an audience. One of these shows was British Uprising 2, which featured the European debut of both CM Punk and Colt Cabana.

By British Uprising 3 the FWA was falling from glory. They’d overstretched themselves and lost a lot of momentum, mainly due to other promotions emulating their approach of smattering cards with foreign talent to attract and audience. The third British Uprising was a great effort but it was the last hurrah for the FWA. It soldiered on for a while long before closing down, later starting back up again, but nothing produced under the initials since BU3 has been a must-see event.

In the nine years since that show the British wrestling scene has continued to evolve. The internet has made it far easier to follow than it was even at the FWA’s peak, and fans in general have become more discerning about what they look for in a wrestling show. Balls Mahoney and his modern day equivalents no longer cut it. Fans these days want (and are fully entitled to expect) shows featuring talented, hardworking guys who want to put on the best matches possible. Nostalgia is out, quality wrestling is in.

All of which brings me to Uprising 2013. It was produced by Revolution Pro Wrestling as opposed to the Frontier Wrestling Alliance, but the intention was clearly to evoke memories of the FWA’s original run of events. Uprising 2013 was held at the same venue, in the same month, and used the same formula of bringing in foreign stars to attract an audience. The idea of a modern company wanting to encourage comparisons to the FWA is questionable considering Frontier’s fall from grace, but targeting the Uprising name in particular is smart. The British Uprising cards were considered the zenith of what the FWA achieved and are still held in high regard.

I and my That Wrestling Podcast co-host, Michael King, bought tickets to Uprising 2013 based on the names announced for the show. Topping the bill was Hiroshi Tanahashi. That alone was extraordinary: that the biggest and best name in Japanese wrestling had agreed to appear at a venue in the East End of London that can hold around one thousand people fascinated both of us. The Prince Devitt v Ricochet match was also something that swayed me (although Michael avoided reading the full announced card and so didn’t know the match would be happening: he was unaware of who Ricochet was anyway).

Our seats weren’t the best, probably a result of waiting until not too long before the show to buy them. They had my name printed on them though, so that was a bonus. You’re not getting that sort of treatment at WWE house shows.
 
The opening match was a Brits only affair. The Swords of Essex teamed with Project Ego to take on the London Riots, Fake El Ligero and former TNA Superstar Mark Haskins. Of the eight men involved I’d heard of three: Project Ego’s Kris Travis and Martin Kirby and Mark Haskins. I’d come across El Ligero before but was utterly nonplussed by the fake variant we were presented with. No context was given but I think it’s pretty safe to assume the idea is that he’s stolen Ligero’s identity and a Real v Fake match is being built to. If that’s the case then I approve.

The match was a very effective opener. People more familiar with the Rev Pro setup than Michael and I were solidly behind Project Ego and solidly against the Riots and their partners. In a way I found that confusing: surely London is the one place the London Riots should be greeted as babyfaces?

The number of guys involved ensured a fast pace with lots going on, which is ideal for a first match. The babyface union won when one of the Swords (I can only apologise for not knowing which) hit a shooting star press on Haskins. After the match the heels bickered over their loss on the entrance ramp.

Match two featured Michael Elgin taking on the highly regarded Noam Dar. That may strike you as a peculiar match up, and that’s because it was: Dar was a replacement for the originally announced Dave Mastiff. The bout wasn’t bad, Elgin made sure to include his stalling vertical suplex and deadlift middle rope suplex to ensure nobody felt cheated by his performance, but I was disappointed Mastiff wasn’t involved. I’m a big fan of his work and thought that a match between him and Elgin would be great.

Elgin’s knack of constructing blistering finishing sequences failed him a tad here. The finish was by no means bad but it wasn’t the several minute affair we get in his bigger matches in ROH. Perhaps that was because of Dar being a last minute replacement. ‘Unbreakable’ went over following a bicycle kick, an elbow to the back of the head, a spinning back fist, a buckle bomb and an Elgin bomb. That it took that series to put Dar down certainly kept him looking competitive in defeat. That’s the right way for an outside star to beat a regular.

That was followed by Sha Samuels taking on Doug Williams. Sha’s gimmick is tremendous. He has the London Underground logo on his trunks, wears a Dennis the Menace scarf to the ring, and is announced as hailing from nowhere more specific than “East London”. As with the London Riots that should have made him a face in my book, but the more experienced fans in the crowd seemed happy to boo him.
 
A (poor) picture of Sha Samuels

For a Williams match this involved a surprising amount of ringside brawling, including the first kick of the night that was so hard it caused the lighting rig set up around the ring to shift. Sha led proceedings when they tumbled out of the ring while Doug took control with traditional British wrestling back between the ropes. It was all very enjoyable even if it did last perhaps a couple of minutes too long. Sha went over with a low blow and a Mick Foley-esque stump-puller piledriver. It was the right result: Doug doesn’t need to win to be over with British fans.

The last match before the intermission was Ricochet versus Prince Devitt. It was the ideal spot for them: they produced such an incredible match that nobody would have been able to follow them immediately. The audience needed some time to cool off so that the rest of the show could be fully appreciated.
 
A charming shot of the back of Ricochet's head

The two constructed what was easily the match of the night. It was stuffed with high-flying and flashy spots. A particularly memorable moment spot was Ricochet’s springboard 450 splash to the floor, which saw him land on his feet and immediately pose. It was from there that Devitt started playing a heel, although the crowd was so appreciative of the talent of both men that he never really heard boos for long.

Eventually Devitt got the win, retaining his undisputed British cruiserweight championship after avoiding a 630 splash and hitting a top rope double stomp followed by Bloody Sunday. It was the match of the night and should ensure that the DVD is a hot seller.

The intermission gave me a glimpse of a guy in an nWo T-shirt (there’s always one) and various wrestlers walking passed us on their way to the merch stand. Naturally Cabana was amongst them. If there’s one thing that guy knows (besides wrestling) it’s merch. It also featured the announcement that Ric Flair will be present for RPW’s return to York Hall in March.

The beginning of the second half is as good a time as any to mention the ring announcer for the evening. He was comically bad. Tasked with the thankless task of trying to keep the audience enthused during matches he made a hard job worse by being repetitive, over-hyping everything, mumbling (though only once or twice), and being repetitive. Had he played up to these things he’d have been a great character. Unfortunately it all stemmed from his general ineptitude. Nobody else seemed to care though, and we found it amusing, so no harm done.

The first match of the second half saw Zack Sabre Jr (who has some incredible techno entrance music) take on Davey Richards. This was a personal highlight for me as it gave me the chance to heckle Davey with cries such as “You’re a nippy little weasel!” and “Prestige!”, as well as numerous boos. I’d like to make it clear that I think Richards is a good wrestler but I’ve never been able to get passed him taking himself far too seriously (even by ROH standards) during his ROH world title reign. He, like John Cena, is someone I feel I have to heckle. It doesn’t reflect on them as people, just them as a wrestling persona.

The match was dead for the first half. The crowd seemed keen to back Sabre Jr which should have encouraged Davey to play heel. He teased it a couple of times, most notably when he refused to perform his Rick Rude style gyrations, but he never went all the way with it. Had he done so the crowd would have been drawn into the match and it would have been a more entertaining affair. I suspect part of the problem is that Richards is not especially adept at reading crowds. Or perhaps he was simply unwilling to play the bad guy because he’d been told it as to be face versus face.

Things picked up considerably in the last five minutes. The pace went from methodical to lightning quick as the two exchanged signature spots, near falls and submission holds. I was surprised when it finished with Richards tapping out to an arm bar. That’s not something you see often from ‘The American Wolf’.

The evening’s penultimate match was prefaced by a pre-match promo from über heel Andy Boy Simmonz (formerly the Duke of Danger’s butler Simmons). He mentioned that Davey Boy Smith’s daughter, Georgia, was in the crowd and “reminded” us that he’d beaten her brother back in the summer. He invited her into the ring so he could do the same to her.
 
The posture of a heel

Simmonz’ tirade was interrupted by Grado, a cross between Santino Marella and the Crankies (Google them). After dancing to the ring to Madonna’s Like A Prayer he got assaulted by Simmonz and Rampage Brown. Naturally his tag partner for the evening Colt Cabana dashed out (after a suitably suspenseful delay) to make the save, kicking off the evening’s dose of comedy. This included an assisted walk-walking spot from Grado and several minutes of backside slapping. Neither outdid Grado’s simple comment of “You’re a very good referee” to the ref.

It was a good match, although as with Williams v Samuels it may have gone on for a minute or three too long. Grado was kept isolated in order to set up a burning hot tag to Cabana. The faces seemed on track to winning until Simmonz hit Cabana with Cabana’s British heavyweight title belt which allowed Rampage to haul Cabana up for a piledriver and the three count. No that move’s not banned in Revolution Pro.
 
They may have lost but Grado still seems happy enough

After that we got a Bret Hart promo. It was about as good as you’d expect. Bret reminisced about “all the incredible matches” he’d had in Britain (without actually specifying any) and informed us that we’re amongst the best fans in the world. The standard stuff you get in these situations really. After repeating himself a few times Hart finally mentioned his match at Wembley with The British Bulldog (which I’d expected him to open with) and put over the locker room as the future of the business. No, he didn’t call them the present. That was telling. He finished by putting over IPW. No idea who they are: this was an RPW show.

‘The Hitman’ stayed down at ringside for the main event, which pit “the star of ITV’s Take Me Out” Marty Scurll against New Japan’s top worker Hiroshi Tanahashi. Paddy’s pal got a ton of heat as he swaggered out to the ring while Tanahashi and his air guitar were met with almost deafening cheers and a chant of “Best in the world!” That’s certainly an arguable moniker, but I don’t think there can ever be a clear “best” in wrestling.
 
Hiroshi Tanahashi, making an appearance in, of all places, Bethnal Green!

The match was a little slow to get going thanks to ‘Party’ Marty’s incessant heat seeking but once it was under way it was very good. There were one or two awkward moments stemming from miscommunications but that’s to be expected when two guys without a language in common face each other in a lengthy match. For the most part their exchanges were slick and engaging.

Tanahashi went over with the High Fly Flow at around the twenty minute mark. Following the match Bret Hart entered the ring to raise the victor’s hand only to be confronted by an angry Scurll. The heel got decked and slapped in the Sharpshooter, a move he’d applied to Tanahashi as a way of taunting Hart during the match. Hart raised Tanahashi’s hand again before leaving the New Japan ace to pose in the ring to end the show.

The show was a very enjoyable experience. There wasn’t a single duff match, every wrestler seeming pleased to be there and intent on giving the best performance possible. The crowd deserve credit too: they were hot all night and improved the show as a result. This, as with most indy shows I’ve been to, was far better than any WWE house show, and cost a fraction of the price. Based on Uprising I’d recommend a Revolution Pro show to anyone considering going to one.

Thursday, 28 March 2013

That RAW Recap 25.03.13

Two weeks from WrestleMania and WWE is still producing RAW episodes with a lot of filler. The company and the people who run it have all been around long enough for this not to be concerning. It's WWE's system and they know what they're doing. It doesn't mean WrestleMania is going to suffer. Unfortunately it doesn't make for interesting viewing though either. Regardless of what pay-per-view's next on the calendar WWE should be aiming to give us a solid show every week.

From the irrelevant filler file: Ryback trounced SmackDown main eventers 3MB; Mark Henry beat fearsome combo Jimmy and Jey Uso; Antonio Cesaro defeated World Heavyweight champion Alberto Del Rio via count out in a four minute disappointment; and The Shield were built up for WrestleMania by being put over Justin Gabriel, Zack Ryder and The (Not So) Great Khali. All of this was done for a reason, but it was boring. All involved could have been given something more interesting to do and the same effect (preparing for 'Mania) could have been achieved.

Slightly better were the match between The Miz and Wade Barrett and the continuation of Chris Jericho's feud with Fan... Dan... Go (you've got to let the vowels breathe). 'The Awesome One' beat Barrett in order to set up their long rumoured Intercontinental title bout at WM29. The match was pretty decent. That bodes well for the big show, although they're going to get a shorter run time there.


Looks like Fandango's been raiding John Morrison's ring gear closet

Despite my aversion to 'Y2J' and the ballroom dancer's dispute before it began I'm pleased that the programme has been well constructed so far. Those rumours that Vince McMahon was personally working on the Fandango character days after hip surgery must have been true. Right now they've got the third most logical 'Mania rivalry behind Lesnar v Triple H and Del Rio v Swagger. Who'd have guessed that a month ago?

Speaking of which, both of those feuds saw advancement on Monday. Swagger distracted ADR. It was perfunctory advancement. Meanwhile 'The Game' cut a short and forgettable promo about how you should always expect to wrestle your last match against a guy like 'The Pain'. He also said he was going to WrestleMania to fight, not to wrestle. Maybe they should get some FightMania graphics prepped for that match.

Not every WrestleMania match is being treated so well. Undertaker v CM Punk is a prime example. The feud that should have been about Punk's continued demands for respect and proving to "the WWE Universe" that he's the best has instead revolved around a prop urn purportedly containing the ashes of 'The Phenom's' former manager Paul Bearer.


That Bearer would have approved of this and that his family have signed off on his involvement in the storyline isn't the point. If it'd truly what Bill 'Paul Bearer' Moody would have wanted that's fine. It's a missed opportunity. The match itself will still be great, I'm sure. The approach to it has been dull. Promos from Punk about how ending The Streak will force everyone to respect him would have been so much better.

RAW opened with Punk cutting what was by his standards a snore of a promo. He said he'd gotten under 'The Dead Man's' skin. He said The Streak could have gone on forever if Undertaker hadn't come up against Punk. 'Taker showed up and pummelled him until Punk escaped the ring and ran away. It was as dreary as it sounds.

It's difficult to care about any of this. We all know Punk's losing at WrestleMania. The draw of the feud was seeing the respect-obsessed 'Best in the World' of the last eight months come up against the man who has earned more respect than anyone in company history over his twenty-three year stay. It was that build as much as the match itself that appealed about Punk challenging The Streak. Acknowledging the death of Paul Bearer was absolutely the right thing to do, and the tribute they aired was touching. But his involvement should have ended there.


Nobody needs to see more of this

Closing the show was a debate between WrestleMania opponents (twice in a lifetime, folks!) John Cena and The Rock. They were given questions by Dusty Rhodes, Booker T, Mick Foley and Bret Hart with Jerry Lawler on compare duty (which sounds like a poor American version of I'm Sorry I Haven't A Clue). Ric Flair was originally meant to be a part of this segment too. My assumption is that Booker replaced him. In case you've not heard a blood clot in 'The Nature Boy's' leg concerned WWE's medical staff. They sent him to a hospital, who sent him home. It's unlikely he'd have contributed a great deal. Best to put health first, 'Naitch'.

Mick Foley opened by asking John Cena if he was prepared to deal with the regret another loss to The Rock would bring him. Cena didn't give a direct answer. He was never going to. This was an excuse to have Cena and Rock cut promos on each other in a moderately fresh environment. Instead he flanneled about how beating 'The Brahma Bull' is "the big one" for him. If he can't do it fans will greet him with derision in every arena in the country (and presumably the world). He admitted he's statistically good but basically his point was beating The Rock is his greatest challenge.

All of which cheerfully ignored the fact that fans already greet Cena with derision on a regular basis.

Rock responded with a story about growing up near Philadelphia (which is where RAW was being held). If we're to believe all of Rock's stories then he must have had about fourteen different childhoods.

Bret Hart's question was more of a statement. He said watching Rock and Cena verbally swipe at each other last year reminded him of himself and Shawn Michaels. ‘The Hitman’ was disappointed by the bad blood. Rock said he respected Cena because he beat him at WrestleMania XXVIII fair and square and 'The Franchise' didn't complain. He took his loss like a man, said Rocky. Which is true. Cena said Rock has proven his dedication to wrestling by winning the WWE championship. A weird leap of logic, but that's Cena.

Booker T's wanted to know why Cena says he has to beat The Rock at WrestleMania. In fairness Cena had addressed this point when answering the night's first question. His said simply that he'll beat The Rock because he has to.

Rock wasn't satisfied with that answer even though, when you get right down to it, within the parameters of kayfabe every wrestler has to win every match because they have to. Nevertheless Cena was pushed for further comment and gave it. He stated that Rock was the only man who'd ever gotten into his head, which caused him to make a mistake during their previous match. That mistake was going for a Rock Bottom on The Rock and it cost him the match. In Cena's mind if he hadn't done that he'd have won and proven he's better than Rock, because he is (apparently) better than The Rock. Which would make a nice tag line for this year's show, WrestleMania XXIX: Better Than The Rock.

Naturally Rock didn't take kindly to Cena's statement. He argued that if Cena had had him beaten he'd have beaten him. He lost, so he didn't have The Rock beaten. He dredged up Flair's old "to be the man... wooooooo... you gotta beat the man" line and told Cena he'll never win because he's not the man.

'The Dream' piped up. Cena said he wanted to provide The Rock with a loss that will haunt him. Rock retorted that he's not built that way. He'll still be 'The People's Champion' on Monday 8 while Cena will be asking himself why he lost again (and eating Fruity Pebbles apparently).

There was a staredown. Cena went for an AA but Rock slipped out and dished out a Rock Bottom instead. Rock left the ring. Cena busted out his patented kicked puppy look to show that he's really up against it at WrestleMania and is beginning to doubt he can beat 'The Great One'. It would have been the ideal way to end the pre-'Mania RAW. 
 
Great reactions from the guys at the table: Foley seems to be getting up, Hart's just staring into space and Dusty's doing  dance

The point of the segment seemed to be to show that Cena hadn't taken the loss as well as originally believed. That's why they had Rock acknowledge Cena's acceptance of losing early on, before Cena unravelled on the question of why he must win. It wasn't quite pulled off, but it was a good attempt and makes for a logical story. That's important with any match, particularly a WrestleMania main event.

The main event Q&A was a success because it worked. It got done what it needed to. Very little else on the show can make that boast.

Monday, 12 November 2012

Twenty Years Later

It was reported last week that WWE officials had met representatives from several British stadiums during the company’s recent tour of the company. London’s Wembley Stadium, Cardiff’s Millennium Stadium and Manchester’s Old Trafford are the known venues. It’s entirely possible they met with others too.

This series of meetings has stirred up that long-standing rumour slash wish of WWE returning to the UK to promote a large scale pay-per-view. I’ve always been of the opinion that WWE would never return to Britain for anything other than RAW and SmackDown recordings. The time difference between the two countries is pronounced enough that WWE would have to air the proposed pay-per-view on a delay.

Even a few hours is enough for spoilers to become a serious issue, which could potentially harm buy rates. They’re not going to care if people find out that Kofi Kingston beat The Miz on RAW a few hours before the show airs, but a world title changing hands on PPV is a different situation entirely. I’ve always felt it’s a big enough reason that WWE would not do anything major over here.

If a pay-per-view were to be held here it would be the first large scale WWE event since SummerSlam 1992 to be held outside of North America. That event was headlined by the heated confrontation between brothers-in-law Bret ‘The Hitman’ Hart and ‘The British Bulldog’ Davey Boy Smith. That WWE has not ventured overseas for a big show in decades tells us that it isn’t an idea they’re keen on.
 
The home of SummerSlam '13?
 
This recent talks have begun to make me think that management (mainly Vince McMahon) may have had a change of heart of the issue. Britain almost always provides WWE with hot crowds, desirable for a big show. The atmosphere would be incredible and it would allow WWE to present themselves as the globally dominant colossus they love making themselves out to be. The issues of internet spoilers arising could easily be worked around by WWE broadcasting the event live or streaming it on their website in addition to a taped show kicking off at the usual time of a PPV.

There are two questions I feel this subject raises. The first is which location should WWE pick? The second is which event would they hold here?

A pay-per-view could be held at pretty much any stadium in the country. Wembley would seem the most logical to me though. It was overhauled a few years ago and is in the capital of the country. Plus there’s the link back to SummerSlam ’92 being held there. There’s even a great hashtag they could push on Twitter: #WWEmbley could be trending worldwide!

Speaking of which I think SummerSlam is the most logical choice of event to hold in Britain. August is a good time of year to put on such an event in this country. Not only are schools off but nights are longer and there’s as slim a chance of rain as you’re ever likely to get.

Even without those reasons SummerSlam still seems the best option because the alternatives seem so unlikely. Survivor Series is not really treated as a particularly special show anymore and wouldn’t feel like such an event. The Royal Rumble is generally considered the kick-off to WrestleMania season and I can’t see WWE going outside of the US for that, or for a show that relies so heavily on surprises and spoilers.

WrestleMania seems unlikely simply because of the time difference. It being WWE’s biggest show of the year means they’d almost certainly be against it airing on delay or in the middle of the afternoon. Live streaming doesn’t seem a realistic option either: WWE wouldn’t want their greatest card of the year watched across North America on laptops. The rest of the calendar is made up of B shows. They, like Survivor Series, would not feel special enough to warrant going overseas for a broadcast.

So, SummerSlam 2013 in Britain? If so WWE better serious about that Wade Barrett push.

Monday, 10 September 2012

The Scene of the Crime

Tonight's RAW will emanate from Montreal, Quebec and will feature an appearance by Bret 'The Hitman' Hart. Anyone wrestling fan familiar with the Montreal Screwjob will be able to tell you how significant this appearance is. Most people reading this will likely already know what the Montreal Screwjob is but for those that don't I'll attempt a brief summary.

Bret Hart was recognised as the WWF champion heading into Survivor Series '97. It was relatively common knowledge that he was due to leave the promotion within weeks and join WCW, due mainly to Vince McMahon and the WWF being unable to pay Hart's contracted salary.
 
Hart was adamant that he would not lose the WWF championship to Shawn Michaels, his scheduled opponent at the pay-per-view. Some have said he was willing to lose the title to Steve Austin or Mick 'Mankind' Foley, while some have stated the problem wasn't just losing to 'The Heartbreak Kid' but losing in Canada in general. Hart took (and takes) his public perception in his home nation very seriously and the general consensus is that he didn't want to lose to a man he personally disliked in front of his countrymen.
 
The Hart versus Michaels match ended up going ahead, with a planned finish agreed between the opponents and company owner and chief creative director Vince McMahon that would see Hart retain the championship. Reports vary on when Hart believed he would lose the title but it’s generally felt he was under the impression he would retain the belt on pay-per-view and then drop it on Monday Night RAW sometime in the following weeks.
 
The planned finish didn't occur. What happened instead was that Michaels placed 'The Hitman' in his own finishing hold, the Sharpshooter, and Vince McMahon ordered the bell to be rung and the match ruled in HBK's favour.
 
The combatants looked confused in the ring as a new WWF champion was announced. This was a ruse on Michaels' part, he had been in on the deception along with Vince McMahon and other key names. Hart spat on Vince and drew the WCW initials in the air for the hard camera as the show went off the air.
 
Hart wouldn't appear on RAW again until January 4 2010. He moved to WCW for a disappointingly forgettable run that saw his career reach a premature end in a match with Bill Goldberg.
 
The Montreal Screwjob left a sour taste in the mouths of Hart's family and friends for years to come. It tarnished the legacy of one of wrestling's most important figures and offended many members of the WWF locker room (Davey Boy Smith, Owen Hart, Mick Foley and the Undertaker, among others).
 
It also did a great deal of good for the WWF. It allowed for the creation of the hated Mr McMahon character, who proved the perfect foil for breakout star 'Stone Cold' Steve Austin. It also set the tone for the Attitude Era, which is what eventually allowed the WWF to triumph over WCW.
 
It may not have been Vinnie Mac's finest hour but it's hard to argue that he didn't make the right decision for his company in the long run.
 
As I noted above Bret returned to the (now renamed) WWE in 2010. He publicly buried the hatchet with Shawn Michaels and embarked on a feud with McMahon that climaxed at WrestleMania XXVI. He has made sporadic appearances over the last two and a half years and remains a popular nostalgia-fuelled act.
 
The company are going to want to make Hart's televised return to Montreal memorable. It's likely he will be given time to talk about what appearing there means to him and (hopefully) acknowledge that it (finally) signals an end to the fallout of the Screwjob.

Tonight is a big night for this guy
 
I cannot see his appearance being limited to a speech though. It is too perfect an opportunity to get some heat on a heel act. Any wrestler interrupting Hart's address (or diatribe, call it what you will) will meet with an intensely frosty reception from the Montreal audience.
 
Theoretically any bad guy on the roster could be scripted to interrupt Hart's monologue. The Miz, Alberto Del Rio, Cody Rhodes and Dolph Ziggler would be particularly good fits. All would benefit from the spot and are established enough to pull it off believably. None of them seem likely though.
 
To my mind there are only two men who can realistically be expected to confront 'The Hitman'. The first is Damien Sandow. In truth it's not that likely that he'll interact with Hart, but he's been booked so strongly and management are so high on him that it's just about imaginable enough to be a realistic possibility.
 
The other name, and the man I think will confront the former five time WWE champion, is CM Punk.
 
The current WWE champion is now the promotion's top heel and is becoming more arrogant and condescending with each passing week. Having him lay into Hart for whining would cast Punk in an incredibly negative light and make the fans in attendance loathe him. It's all too easy to imagine a situation in which 'The Voice of the Voiceless' lays into Hart for "disrespecting" him by wasting time and talking about something that happened fifteen years ago.


Placing Punk in this spot would also open up the possibility of having Paul Heyman interact with the Canadian hero. The alliance that appeared to be revealed in the closing moments of last week’s RAW is expected to be addressed tonight and there would be no better way of giving the pairing something memorable to do than having (to my knowledge) the first televised interaction between Heyman and Hart.
 
Whatever happens tonight I expect it to be a memorable segment and something that will looked back at again and again for years to come. There is no better use for Bret Hart in 2012.