Showing posts with label RPW. Show all posts
Showing posts with label RPW. Show all posts

Tuesday, 16 June 2015

RPW Summer Sizzler 2015 review


I've seen and reviewed enough RPW shows now to feel comfortable saying that Alex Shane's influence on booker Andy Quildan is clear for all to see. Shane has stated in more than one interview over the years that his approach to booking a wrestling show is to offer something that will appeal to everyone in the audience. This show, like most RPW offerings, very firmly had that philosophy in mind. The show featured former WWE stars, current New Japan stars, big lads, a cruiserweight match, a strong style match, a comedy match, and a distinctly Attitude Era main event. Whatever your tastes in wrestling there was probably something at Summer Sizzler 2015 that would satisfy you.

The show kicked off with Josh Bodom versus Tommy End. The lack of Quildan in the ring to introduce the wrestlers makes me think this was a dark match. When you've got a lad like End in a match you're not intending to release you've got yourself a packed show. Sadly there was no bicycle knee kick, a move End makes look incredible, on offer here. Bodom got the upset win following a move not dissimilar to the package piledriver.

Quildan hit the ring after that, presumably signalling the official start of the show. His first act was to announce that Mark Haskins would not be at the show due to "personal problems." He was replaced in his tag team title defence by Jake McCluskey. This wasn't the first time McCluskey had made his way onto an RPW card as a last minutes replacement. Sooner or later his reliability will be rewarded and he'll net himself a more prominent role.

Just a couple of revolutionary lads.
The match, putting McCluskey and defending champ Joel Redman against Revolutionist members Sha Samuels and James Castle, wasn't especially good. McCluskey spammed moonsaults in the early going (because he's dubbed himself 'Mr Moonsault' at some point in the last year or two), which the crowd appreciated at first but soon tired of. Because, honestly, moonsaults haven't been impressive since the eighties, Jake. I did enjoy Jake and Joel hitting a 3D though. It was an unexpected addition.

The finish saw McCluskey go for a discus clothesline on Castle, only for Castle to duck it and kick him in the privates. Yep, a nut shot was enough to put McCluskey down for the three. Redman took exception to this and gave McCluskey a shove. McCluskey made it clear he'd been cheated but Redman was having none of that and walked off in a huff. Perhaps a match or two with Redman are heading Jake 'Reliability' McCluskey's way.

The third match of the night saw Big Damo beat New Japan's Tomohiro Ishii, a far bigger surprise than the opener had been. 'The Stone Pitbull' spent the opening stretch getting worked over by Damo, something I thought (wrongly, as it turned out) was designed to set him up for a comeback leading to a victory. It's not that the comebacks didn't come, they did, it's just that they weren't enough to put Damo away. Damo survived a dead lift German suplex, a superplex and numerous lariats, among other things, before slumping a worn Ishii in the corner and leaping off a corner to hit a Van Terminator-style drop kick. He followed up with a running senton to get what has to be the biggest win of his career.

The traditional announcement of the next major show followed that. This year's Uprising will take place on October 2 (a Friday) and will be a co-promotion with New Japan. The first match announced is Jushin Liger and Hiroshi Tanahashi against Gedo and Kazuchika Okada. I'm doubtful about Uprising being a full scale co-promotion but that match (and one that will be mentioned below) is very welcome. The more New Japan talent on RPW events, the better.

Speaking of which, the pre-intermission spot was taken by Shinsuke Nakamura versus Roderick Strong (substituting for Ricochet). Not for the first time I found myself questioning the placement of a New Japan performer on an RPW card. Along with Styles Nakamura was one of the two biggest names on the show. The bigger of the two would probably vary depending on who you asked. Judging by the number of shirts and the queue for his autograph at intermission I think Nak was a bigger draw for this crowd. This match would probably have been better received as the opener of the second half. But complaining about Rev Pro running orders is always going to be an act in futility.

Shinsuke Nakamura versus Roderick Strong.
Placing aside Nakamura versus Strong was excellent. The first five minutes saw Strong berated for wearing "Shitty, shitty, shitty little boots!", a chant carried over from his recent appearance for the other London-based wrestling group, Progress Wrestling. This included him storming up the entrance ramp and having Quildan tell the crowd that if the subject of his boots wasn't dropped he'd leave. Naturally that didn't work. Roddy would get in and out of the ring a few more times, at one point teasing that he'd take his boots off, before finally starting the match. Nakamura, for his part, seemed to find Roddy's shenanigans amusing. At point while Strong was bickering with a member of the group 'The King of Strong Style' walked into the centre of the ring and bowed, effortlessly making himself the centre of attention and popping the audience.

I thought this match was great and the best effort all night. While I enjoy Ricochet's work I don't think he was as natural opponent for Nakamura as Strong. This was a far better blending of styles than the striker versus flyer effort we would have had with 'ochet. Nakamura survived a handful of backbreakers, the Stronghold and the Sick kick before he polished Roddy off with two Boma Yes. This match alone is worth buying the event for.

After the match Nakamura was confronted by Big Damo, something which immediately examined Ishii's loss earlier in the evening. Damo told Nakamura that he wanted to knock his teeth down his throat. Nak responded with his weird face-on-belly taunt then took a microphone and agreed to a match, ending with a resounding "YeaaOh!" He then brushed past the big lad and sauntered to the back. Quildan confirmed the match for Uprising (funny how quickly he got that signed with New Japan, isn't it?) before throwing to a "brief" half hour intermission.

Will Ospreay, a proud RPW British cruiserweight champion.
Will Ospreay's two-out-of-three falls defence of the British cruiserweight championship against Matt Sydal opened up the second half. It took a while to pick up steam and once it did it was technically sound but something about the bulk of it didn't grab me. The root of the issue was probably my disinterest in Sydal as a character, although he played a New Day-esque super-positive heel here once it became clear the fans were behind Ospreay. That was a welcome change of pace.

Sydal got the first fall when he reversed Ospreay's handspring elbow attempt into a reverse hurricanrana and then leapt to the top rope for a Shooting Star press. Ospreay evened things up after he rolled through Sydal's pin off a Final Cut after a brisk sequence of high-flying counters and reversals. He took the false finish-stuffed third and deciding fall with a springboard cutter and a version of the Phoenix splash.

The third fall did draw me in. It provided more evidence that WWE missed out by not pushing Sydal and highlighted that Ospreay is one of the brightest talents in British wrestling. He'll definitely be one of the next guys to get a gig in Japan or on the US indies. The pair shared a handshake after the match, just to make it clear Sydal really is the super-cool guy he's gimmicked to be.

The semi-main event spot was given over to the comedy styling a of Colt Cabana. He was there to settle his feud with Gideon Grey and Rishi Ghosh. This had started when Gideon had made the (absurd) claim that Colt Cabana and Matt Classic were the same person. Cabana had agreed to a tag match with Grey and Ghosh to prove that this wasn't true. And prove it he did. After a bit of teasing Classic and Cabana appeared in the same place at the same time for the first time ever. Classic was met with chants for Grado, CM Punk and Super Dragon. The truth of his identity remains a mystery.

A woefully poor shot of Rishi Ghosh and Gideon Grey.
The match that followed was very much a Butlin's style comedy affair (not a bad thing). It's exactly what you want from a guy like Cabana and exactly the sort of thing the Grey and Ghosh characters are designed for (for the record they are an English lord and an Arabic prince respectively... Wrestling!). It's also worth pointing out that I was at the show with someone who's not a wrestling fan (Bea, she's great) and this was one of her favourite matches of the night. This type of comedy match was one of the things I was thinking of when I wrote about Alex Shane's approach offering something for everyone at the start of this review. I think it was the ridiculous characters and silliness of the action that Bea appreciated. Cabana got the win by making Grey tap out to the Billy Goat's Cutse while Classic held Ghosh in a sleeper.

The main event was Marty Scurll (the star of ITV's Take Me Out (no, I'll never get bored of this)) versus AJ Styles for Scurll's British heavyweight championship. They had a great main event style match that drew me in despite my lack of interest in Styles. I'm award I wrote this about Sydal too. Maybe I just have something against Christian wrestlers? Scurll put in a typically slick performance that showed why he's one of the most frequently booked men in British wrestling and why he'd had RPW's top prize for well over a year.

'The Phenomenal One' won the title following a Styles Clash. At first this was a surprise but thinking about it it shouldn't have been. With the title having been on Scurll since March 2014 it was time for a change and this allows RPW to present AJ Styles, a major name, as their champion come the New Japan co-promoted Uprising in October, which will make them look a bigger deal. Plus, there was no way Styles was going to lose clean to Scurll so switching the title allowed the sidestepping of a dissatisfying DQ finish.

This was the second best RPW show I've been to. There were two top notch matches in Nakamura v Strong and Styles v Scurll, enjoyable efforts from Bodom v End and Damo v Ishii, and a fun comedy match. It wasn't going to get any better. The best RPW remains Uprising 2013 for its stacked card and the opportunity it gave me to heckle Davey 'Nippy Weasel' Richards but I wouldn't be surprised if this year's show, boasting Nakamura, Tanahashi, Okada, Gedo and Styles, takes its crown. I look forward to finding out.

***

Results summary:
Josh Bodom defeated Tommy End
James Castle and Sha Samuels defeated Jake McCluskey and Joel Redman to win the RPW tag team championship
Big Damo defeated Tomohiro Ishii
Shinsuke Nakamura defeated Roderick Strong
Will Ospreay defeated Matt Sydal two falls to one to retain the RPW cruiserweight championship
Colt Cabana and Matt Classic defeated Gideon Grey and Rishi Ghosh
AJ Styles defeated Marty Scurll to win the RPW British heavyweight championship

Friday, 24 October 2014

Second Opinion: RPW Uprising 2014

I wasn’t the only person at last Saturday’s RPW Uprising show. Michael King was there too. Sitting next to me, as it happens. On Sunday I asked him if he fancied contributing some thoughts to my write-up (you can find that here). What he sent over ended up being over one thousand words long. Which, y’know, is easily a blog post in its own right so I decided to present it in full. It’s presented below, with anything in italics added by me. Because why not?

***

Lionel Richie’s All Night Long runs four minutes 19 seconds. Rich Swann’s entrance, based around the song, felt significantly longer. By the end of the match the crowd had cheered itself out, much to the detriment of what followed. It’s a shame this didn’t go on after the interval.

The match was good. Think a PPV/Network Special opener, or post Cena-promo Uso tag match on RAW. Lots of reversals, combos and dives to the outside, all pulled off with exceptional timing and little to no regard for psychology. Aries is as crisp in person as he is on TV. 2 Unlimited bad-guyed it up despite their adorable denim waist coats and propensity to move their mouths as if to taunt the crowd, but not actually say anything. Maybe they have very silly voices (They’re Irish so they probably do). Aries took the mic after the match to tell the crowd to keep the energy up. He obviously knew what was happening before we did.

Britain's premiere hoss. That'd be a good moniker for him, actually.
The next match featured Dave Mastiff against Karl Anderson. You’d think Anderson, being used to wrestling to the sound of a dripping tap in the Tokyo Dome men’s room (and only getting a pop for re-entering the ring) would have adapted better to the lack of atmosphere, but it seemed to put him off. Mastiff lives his gimmick and generally held up his end of the match. On reflection this match was pretty decent. A good ol’ meat bash (Oh!) with some big spots and a decent finishing sequence, but it felt a little flat whilst it was going on. We have Swann and Richie to thank for that.

To take us into the break we saw the best wrestler in the world face Adrian Neville’s old tag partner. To be fair Joel Redman is a much better singles wrestler than viewers of NXT would believe, but he was the wrong opponent, in the wrong slot. A big part of these RPW shows is being part of the reaction these big ticket foreign stars receive. Seeing Hiroshi Tanahashi burst through the curtain twelve months ago (in the main event) was surreal, and the reaction appropriately massive. Okada got some weak chants and a single streamer. The crowd wasn’t ready for him.

The match itself was decent, despite a complete lack of chemistry between the two men. Redman seemed a little unsure of his role and Okada’s deadpan arrogance didn’t work with the smaller crowd in the same way as Tanahashi’s stiff  arm air-guitar or Nakamura’s nuanced epileptic routine. I can’t stress enough how insane it was that this went on pre-interval. Okada, at 26 years old, is the biggest star in the world’s number two promotion, and will most likely be on top for at least another decade. Anyway, enough of that. Okada won.

The show resumed with the Revolutionists facing Too Cool. I should preface this by saying that I spent a long time where my only access to WWE was VHS tapes and Sunday Night Heat, which at the time seemed to consist of lovingly framed shots of Trish Stratus; Mick Foley going to theme parks; and Too Cool main events. This probably goes some way in explaining why I enjoyed this so much (Amazingly other people enjoyed their tedious routine too. I think I was the only one who didn’t see the appeal in a former light heavyweight champ, a grossly overweight Samoan, and Jerry Lawler’s estranged son). I wanted to be angry for Okada, but seeing these three men go through their old routine moved me in a way I wasn’t prepared for. This was so, so, so stupid and I loved it.

That said, Sha Samuels is great and deserves better than this. (I couldn’t agree with this more)

The championship match was set up with a video package. I didn’t hear a word but most of it still came across. Stone was angry because he is less well thought of than Mojo Rawley. Scurll is crazy now because he has a beard and an umbrella and that’s why he is the best Martin. These two had by far the best match of the evening, with plenty of outside brawling, near falls, heelish shenanigans and Scurll’s Vince McMahon impersonation. Scurll seems a little restless with his gimmick and it’s easy to see why. He is so far ahead of those round him in terms of presentation, pacing, crowd interaction and work rate that he probably changes things up so frequently to keep himself entertained. I can’t get into Stone. As a wrestler he’s fine, but his ring gear, promo delivery and lack of personality give him the feel of a fill-in main eventer.

Michael isn't one for national pride.
The post-match angle involving the (wonderfully panto) Knight family was a fun bit of wrestling nonsense. It went on far too long, but so did everything on the show. Dave has said all that needs to be said about the pacing, so instead I’ll complain about the constant references to the UK made on the show. This was the first RPW offering in a while to not feature anyone in Union Jack trunks (the UK wrestler equivalent of black wrestlers wearing animal print), but we still had it incorporated into the set (see right for one of Michael’s least favourite aspects of the show), and the Knight family patriarch (who based on the relative appearances of his sons and daughter (Paige), is a dismal producer of XX chromosomes) referring to the invaders as The UK Hooligans.

No-one in the building was confused about where we were, neither will anyone be when watching a DVD. The ostensible main event featured a man called Martin fighting another man called Martin. Wrestlers used scarfs and umbrellas as foreign objects. Not one reference was made to college football. All the UK references make the production look as indy as anything.

Ospreay vs Sydal went on last. There were flips. I question the decision to put an amiable face v face crusierweight match on after a number a genuine star attractions and a hard fought, angle heavy, championship match. But hey I also like my brief intervals to last less than 40 minutes (He wasn’t interested in a picture with Austin Aries and former TNA megastar Rosita).

A strange show, bafflingly less than the sum of its parts. Too Cool were oddly perfect, but with so many indy free agents now snapped up by NXT and the NJPW roster tapped, I wonder whether RPW can channel some of it’s momentum into building the size and profile of its home grown roster. Scurll versus Gangrel at Summer Sizzler?

Sunday, 19 October 2014

RPW Uprising 2014 review


In October 2013 Revolution Pro Wrestling revived the Uprising name previously associated with the FWA for what was billed as their biggest show ever. In addition to using some of the best British wrestlers available they brought in foreign stars Michael Elgin, Prince Devitt, Ricochet, Davey Richards and Hiroshi Tanahashi. Colt Cabana was also there. It was an approach designed to do two things: demonstrate that the promotion was a big deal and attract fresh eyes. It certainly achieved the latter. Whether it achieved the former depends on your perspective, but I think they did a solid job and put on an excellent show.

This year RPW returned to York Hall for their second Uprising card, once again bringing in foreign stars. This time they took the form of Matt Sydal, Austin Aries, Karl Anderson, the triumvirate that is Too Cool, and Kazuchika Okada. There were actually a greater number of imports on this card than there had been the previous year, but somehow the event didn’t seem as significant leading into it.

Part of the problem here was that RPW had booked a second show the night after (it was originally titled Okada vs Ricochet although I suspect it will end up changed to Okada vs Aries). It’s possible that the company stretched itself a little thin by splitting some of the fly-ins over two cards. Concentrating everyone on this show would have added one or two matches and made better use of the time the show got.

The line-up for Uprising 2013 was incredibly strong. There was almost no way it could be topped. It was Tanahashi, the man who had carried New Japan through a rough patch and come out the other side as their unquestioned top star, wrestling in front of a thousand people in East London. That was very obviously a big deal. Using Nakamura and Okada since has almost made it an expected thing that New Japan talent will appear on the larger RPW cards. Tanahashi benefited from being the first (Liger had appeared a few months before him, at York Hall, but the show did not receive anywhere near the hype Tana’s did), and from being presented as the star attraction.

It also seemed hard to get into the rest of the import line-up to the same degree this year. Elgin and Richards were bona fide ROH main eventers (and personally I was delighted at the opportunity to heckle Richards). Devitt was a New Japan upper mid-carder who everyone was beginning to expect would move to WWE (which he did) or move up to New Japan main events. Ricochet could accurately be described as one of the most exciting wrestlers in the world (and it’s worth noting he went on to become the first non-Japanese grappler to win the Open the Dream Gate championship in March of this year).

By contrast Sydal was benched by WWE for years, Aries is booked pretty poorly by a flailing TNA, Anderson is a tag guy in New Japan, and Too Cool are Too Cool (but not too cool). Only Okada had flawless, unbridled star power. And none of the matches looked as though they’d be able to hold a candle to the 2013 match of the night Ricochet v Prince Devitt.

I know how unfair these complaints sound but it’s what was going through my mind going into the show, even though everyone had something to offer. For all of the poor booking they’ve been subjected to Aries and Sydal are very talented wrestlers. And ‘A Double’ wasn’t initially booked for the show, he was a last minute replacement for Ricochet following a scheduling conflict with Lucha Underground. Anderson is enjoyable enough if taken on his own terms. Okada is world class. Even Too Cool can be enjoyed as a nostalgia act. There was the British roster too, of course. But still there was a nagging sense that Uprising ’14 was not going to live up to its 2013 counterpart.

Sadly, these fears were merited. Uprising 2014 had some significant flaws.

One of the biggest problems was something that occurred before the first match started. It was Rich Swann’s entrance. He danced his way out to Lionel Richie’s All Night Long, a long-time staple of his act. It was very entertaining and the crowd got into it. But it went on. And on. And then it went on some more. It lasted so long, in fact, that the audience was burnt out from it. By the time match two rolled around reactions had died down considerably.

The second problem was the evening’s running order. This biggest misstep in that regard was Okada going on before the intermission. The audience clearly didn’t expect to see him that early in the night. He got a good response, but it was nowhere near what I’d expected. This wasn’t a result of the audience not knowing who he was: Tanahashi and Nakamura had got much louder responses in the same building for their RPW work. Everyone knew who he was, cared about him, and wanted to see him perform. They’d just expected him later.

The second half kicking off with Too Cool wasn’t the worst decision in and of itself, but their shtick would have been a better fit for the slot Okada was placed in, dancing people into intermission. And the final two matches should have been swapped around. The fifth match saw Martin Stone unsuccessfully challenge Marty Scurll for the British heavyweight championship. The sixth saw Matt Sydal defeat Will Ospreay. Each was followed by its own angle. They could have been combined and used to close the show, which would have trimmed the running time. Which was the other major problem the card had: it was far too long. Entrances were lengthy, there was a lot of stalling from pretty much everyone, the post-Stone-Scurll match angle featured a promo that was far too long, and matches were given too much time. Things could have been tightened up considerably without losing anything of value.

This man has a lot to answer for.
There were good points, and before I get to them I’ll run through the card itself. The opener saw Rich Swann and Austin Aries defeat 2 Unlimited in an exciting tussle. Swann, as already noted, milked the crowd, but he was able to do so because he was so over. I’ve knocked him for his lack of psychology in the past (and his willingness to eat up heat when he’s on first proves my point nicely, I think) but he’s fun to watch. Aries was, obviously, very popular too. Which meant the Irish lads were left to play heel, which they did a cracking job with.

The match featured flying spots, dancing, and some solid double team work from the brothers. Swann was worked over for a while before tagging out to ‘The Greatest Man Who Ever Lived’, who came steaming in to clean house. The faces picked up their win after Swann wiped out one of 2 Unlimited (I apologise for still being unable to tell them apart) with a dive to the floor and Aries dropped the other with a brainbuster. All four shook after the match and Aries cut a promo thanking the fans and telling them to keep the energy up (which I now suspect meant he knew Swann’s grandstanding would have a negative effect long term).

Match two pitted IWGP heavyweight tag team champion Karl Anderson against ‘Big Bad’ Dave Mastiff. I adore Mastiff for his Henry VIII look and kids’ TV facial expressions. The crowd favoured him too, although there were still a lot of people inexplicably into Anderson. Their timing was a little off throughout the match but they still pulled off some good power spots, including a ‘Double A’ spinebuster from Anderson, a deadlift German suplex from Mastiff, a German suplex into the turnbuckle on Anderson, the Swivel Gun Stun, and a cannonball reversed into a traditional Gun Stun. The last earned Anderson the win.

After the announcement that AJ Styles had been booked for the February 15 return date (which ring announcer and promoter Andy Quildan plugged incessantly, one of the many timing cuts that could have been made) it was time for the Okada match. As already noted the crowd were not expecting to see him that early on, which meant he received a slightly subdued response and no streamer treatment. The bout also suffered because Okada’s opponent, former NXT Superstar™ Joel Redman, didn’t seem to want to play heel. His build and the fact that he was facing a man who nobody in the building was going to boo meant that he should have switched to the antagonist role for the match.

Okada? He doesn't deserve to go on after an intermission?
The crowd didn’t get into the action until its second half. I suspect this was a combination of the surprise at seeing Okada so early, Swann burning people out, and nobody believing any of the early pin attempts. Things did eventually warm up when Okada went for a Tombstone piledriver and Redman reversed it, resulting in the best false finish of the night. From there we got a suplex from the apron into the ring, a lovely Okada drop kick, and, after a failed attempt earlier the night, a match-winning Rainmaker.

The intermission was another contributing factor to the unnecessarily long running time. It was closer to half an hour than the usual ten or fifteen minutes. The explanation for this was that Austin Aries and Rosita were at the merch stands signing pictures. Because there was money to be made from these pictures the break was extended to fit in as many signings as possible, a classic Quildan move.

The second half kicked off with the Revolutionists striding to the ring. They did their usual crowd-bullying stuff, Terry Frazier wading into the audience to shout at a particularly boisterous group of lads that I assume are regulars at RPW shows. To be fair the trio had a serious amount of heat on them. Too Cool also spent a long time milking their entrance, although as a nostalgia act that seemed to make more sense.

The match was not good but avoided being actively bad. Rikishi struggled to climb on to the ring apron so actual wrestling was obviously going to be tough for him. Meanwhile all Brian Christopher contributed was bad dancing and looking astonishingly like his dad. It was left to Scotty to do the bulk of the work for his team. He got worked over to set up a hot tag to Rikishi, who came in, pulled his trunks down, and gave Sha Samuels a bare Stinkface in the corner. It was not pleasant to watch. I can only imagine what it was like to take. The move got a loud reaction but I think Terry Frazier would have been the right man to take the “move”. He’s by far the most irritating member of the group.

Surprisingly it was Too Cool that won. As the promotion’s top heel stable I’d expected The Revolutionists to win after cheating and then get chased off by the faces. But no, they went down clean to the guys who have wrestled on TV. After the match Brian Christopher told us Rikishi had pulled his calf muscle (perhaps he has a doctorate nobody knows about) and said that celebratory dance may not happen. Rikishi took the mic and said it would happen… and then it did. There’s very little to say about it. An underrated wrestler, Jerry Lawler’s overly tanned 42-year-old son, and the out of shape father of the Usos boogied to WWE music they didn’t have a license to play. That’s it. Everyone else seemed to love it though, so clearly I was missing something.

The British heavyweight title match was preceded by promos played on the video screen. Marty’s was hard to make out but it seemed to be about Martin Stone moving to America and having to come back after he was released by WWE. Stone’s promo was about not getting the opportunities he felt he deserved and the demoralising atmosphere in which he worked while with WWE. He dropped some F-bombs that were bleeped out, but he managed to slip in a C-bomb that went unedited. Good work by Quildan there.

The crowd had heated up by this point and were evenly split between champion and challenger. Before the match Stone spoke to Norwich-based wrestler (and father of WWE’s Paige) Ricky Knight, who had been sat in the front row all evening. Scurll entered carrying an umbrella. This went unexplained. It was probably linked to the new character traits he was exhibiting: he had mostly dropped his bantering with the audience in favour of pulling peculiar facial expressions and generally trying to make out that he was unhinged (which basically meant he’d occasionally tilt his head to a funny angle). I always enjoyed Scurll’s Butlins circuit comedy but this was a welcome change of pace from him. He was also back to being introduced as the star of ITV’s Take Me Out and TNA’s British Boot Camp. The more time passes since his sole appearance on Take Me Out the funnier the gimmick gets.

Marty 'Penguin' Scurll there.
The match was styled on WWE main events. There was a lengthy brawl around the building, including a fireman’s carry on the entrance ramp by Scurll and a variety of guardrail bumps. Back in the ring Stone acted more and more like a Steve Austin knock-off, prompting me to ask Michael (yeah, Michael was with me) if he thought Stone was deliberately trying to evoke ‘The Rattlesnake’. He said “A little bit.” Then Stone did a Thesz Press.

Stone gave Scurll a running RKO, prompting cries of “Out of nowhere!”, taking chant of the night honours. Scurll skinned the cat but got caught with a concrete slam before he could right himself. Stone followed up with a power bomb and then went to the top rope for a superplex. ‘Party’ Marty ended up countering that and muscled Stone up for a crucifix bomb. It was a bit wobbly but he managed the move well enough.

Scurll hauled Stone back to his feet and set up for a Pedigree, screaming “You’re fired!” in a Vince McMahon voice before hitting it. Stone kicked out of that at one (probably designed as a metaphorical middle finger to WWE in general) and smashed the champ with a wild lariat and a top rope draping DDT. He locked in a Crippler crossface (it’s been seven years, jog on with your complaints) and Scurll tapped. The referee didn’t see it as Terry Frazier and Sha Samuels had rocked up at ringside to provide a distraction.

Moments later there was a contrived ref bump. Samuels got into the ring to crack Stone over the head with a steel chair. Scurll made the cover, the ref came to enough to make a slow count, and Stone just got his shoulder up before three, getting a great reaction. Stone tried to fight back but Scurll applied the crossface chickenwing, trapping ‘The Guvnor’ in the centre of the ring. There was no tap out. Instead the referee ruled the match in Scurll’s favour when he realised Stone could take no more.

It was a good finishing sequence. Stone looked strong in defeat and Scurll’s submission finisher got over as a powerful match-ender. I was initially against the use of the chair but because it was only used once it ended up being an effective addition to the match. Considering the finish, the heat, the storyline (which we’ll get to momentarily) and the fact that it was for the promotion’s top title Scurll versus Stone should have gone on last.

After the match Stone took a microphone to cut a textbook babyface promo. He said he’d tried his best and then moved on to the topic of his sojourn to NXT. Apparently he was told he was awful every day, although I find it hard to believe all WWE trainers would be that blunt. He put over Andy Quildan, saying the RPW boss picked up his phone the day Stone was released and offered him his old spot in RPW on the roster.

Then the angle went down. Ricky Knight left his seat and got into the ring. He called Stone a failure and said his boys Roy and Zak would have succeeded in NXT. He also referred to Joel Redman as Noel Edmonds, claimed Quildan wouldn’t pick up the phone for the Knight family, and announced that he’d never heard of Kazuchika Okada (which could very well be true). The holding down of the Knight family that he mentioned has been an aspect of his character for at least twelve years. I remember him calling into the Talksport radio show to claim that host and wrestling promoter Alex Shane was holding down The Zebra Kid (Roy) by not booking him. He’s nothing if not consistent.

Stop holding these lads down, Quildan.
Stone eventually had enough of this and grabbed hold of Ricky. Zak and Zebra left their seats and barged passed security, getting into the ring to attack Stone. Redman came out for the save but he was taken out too. There was an extended beatdown of Stone and Redman, who are the tag champions, and then Zebra and Zak took a turn on the microphone. Zebra responded to a “Who are ya?” chant with the classic playground heel response of “Ask your mum” while Zak said the Knights weren’t worried about bad write-ups from internet fans (they won’t be getting one here).

The Knights then walked out of the building’s (referred to as an arena during Knight’s promo) front door with the tag belts. Amusingly Zak went to walk backstage before remembering he was part of a worked shoot invasion angle. Redman and Stone recovered and gave chase, amusingly asking fans which way the heels went.

I liked the angle a lot. All the wrestlers played their parts well and it was about as believable as it was going to get. The only let-down was Quildan, who should have seemed more flustered as the promoter. He simply said he wouldn’t dignify the invasion with a response and went into announcing the main event like an idiot. That aside it was a sensible, interesting way to introduce a tag team and get a new feud underway. Presumably the angle will carry over to Okada vs Aries and we’ll get a match at the February 15 York Hall show.

Sydal vs Ospreay.
The main event couldn’t compete with the angle or the previous match in my mind. It was a babyface versus babyface cruiserweight encounter, ideal opening match material and out of place headlining a card that had featured a main event style match and Kazuchika Okada. It was a good match, it was just in the wrong spot.

Sydal won with the Shooting Star Press. After the match The Revolutionists returned to attack the faces. Scurll ended up alone in the ring and was confronted by his old British Boot Camp rival Rockstar Spud (hence the reference to that show during Scurll’s intro). Marty was sent packing and another fresh feud was established. Spud said a few words to send everyone home happy.

The planning for the future exhibited with Spud’s return and the introduction of the Knight lads was nice to see. It was one of the show’s greatest strengths, providing plenty of reason to give RPW’s next major show a try. And taken at face value all the matches delivered exactly what was expected. Even the Too Cool match avoided being actively bad. I imagine it would make a solid DVD.

But those positives were outweighed by the mistakes that were made. I can’t understand why Okada, easily the biggest draw on the card, went on third. Having him in the semi-main event spot would have made more sense, allowing the Brits-only title match to go on last. That could have been followed by the angle with the Knights and then a Revolutionists beatdown of Stone and Redman with Spud making the save. It felt as though there was no faith in Okada’s rep with British fans and that everything was built too heavily around the angles. And, for the record, only the match that didn’t involve a foreign talent featured a Brit winning. I’m all for fly-ins getting wins, but for them all to go over on what is apparently RPW’s biggest show of the year doesn’t seem quite right.

But hey, at least Terry Frazier didn’t spit at anyone. That’s something, right?

Results summary:
Austin Aries and Rich Swann defeated 2 Unlimited
Karl Anderson defeated Dave Mastiff
Kazuchika Okada defeated Joel Redman
Too Cool defeated Sha Samuels, Terry Frazier and Josh Bodom
Marty Scurll defeated Martin Stone to retain the British heavyweight championship
Matt Sydal defeated Will Ospreay

Wednesday, 30 July 2014

Global Wrestling Alliance

It’s been nearly four months since Jeff Jarrett announced the formation of Global Force Wrestling. They’ve still yet to announce their first show or any sort of formal roster. These are the two most key things any wrestling promotion needs. Without wrestlers or a venue it’s hard to argue that what you actually have is a wrestling company. At the moment it’s more accurate to say that ‘Double J’ is running a niche T-shirt company.

While Global Force don’t have a roster or a show announced they have announced a number of partnerships with other wrestling promotions. The most noteworthy of these are Mexico’s AAA and Japan’s New Japan Pro Wrestling. Behind them are the Inoki Genome Federation, Revolution Pro Wrestling, Premier British Wrestling, New Generation Wrestling, and Westside Xtreme Wrestling.

That’s considerable support, especially for a company yet to actually do anything. A partnership with New Japan alone is a big deal. Although it’s worth noting that the European promotions are not big operations and operate on scales more similar to smaller US indies than AAA or New Japan.

The emphasis on partnerships, as opposed to signing talent and promoting shows, has made me think about an approach I think Global Force could take when it finally starts up (if it starts up). In fact it’s the approach I want to see them take. I think GFW could do a lot worse than pattern themselves after the National Wrestling Alliance during its heyday.

This was during the NWA championship's last
bout of relevance. In, of all places, TNA.
Do I need to summarise how the NWA worked? Probably not but I will anyway. It was an organisation comprised of wrestling promoters from around the United States. Each member ran their own promotion, had their own rosters and had their own championships. The NWA had a variety of purposes, many of which were logistical. For our purposes the most interesting thing about the group was the NWA world championship. It was created as the world championship in wrestling, with each promoter’s top singles title taking a back seat to it and being more of a regional accomplishment.

Each member of the NWA had access to the NWA world champ and got to vote on when a champion would lose the championship and to whom (based on the size of their territory, the champ’s home promotion, and so on). This approach meant that seeing the NWA world championship felt like an occasion. That in turn meant better business for all involved.

In 2014 it would be naïve to think that a world champion touring around a variety of promotions would have the same appeal. The world’s moved on and the nature of viewing wrestling has changed, thanks to both cable TV and the internet. But the idea of GFW champions visiting smaller promotions holds a certain appeal. And I’d like to see it happen.

My ideal Global Force setup would be for most shows to be held in the US, with tours every few months to Europe, Japan or Mexico. The tours would be co-promoted by the partner promotions under the Global Force banner, featuring a mixture of talent from all (or most) of the GFW partner promotions. Naturally the partner league promoting the shows locally would provide most of the talent, but with this approach Global Force would routinely be able to offer a roster on, well, a global scale.

What’s this got to do with champions? That should be obvious. Once GFW has been up and running for a year or two a tournament could be held to crown a world champion. They could go on to be one of the key figures on every tour GFW promotes, eventually being joined by tag champs and perhaps junior heavyweight and women’s champions too.

Inaugural Global Force world champ?
This approach would make the focus on partnerships make sense and allow GFW to neatly sidestep the issue of having a roster nailed down. It would be a fluid approach that lends itself to the inevitable comings and goings that are bound to occur. For that matter it wouldn’t adversely affect the current approaches of any Global Force partner. Every federation from New Japan to Andy Quildan’s RPW could operate as normal and just take on extra dates once or twice a year when Jarrett feels frisky.

This approach would also work well for online streaming, both live and on demand. That’s something Jarrett’s not addressed yet but if he intends to make GFW work on the scale he claims it’s something he’ll have to look into. People will need to be able to access shows online. Not necessarily live, but within a few days of them taking place.

I can’t think of any other way Global Force Wrestling could function while getting the footage it needs and taking into account its various limitations. If Jarrett doesn’t do it this way I’ll be disappointed.

Monday, 16 June 2014

RPW Summer Sizzler 2014 review


June 15 2014 was Father’s Day. It was also the day Revolution Pro Wrestling returned to Bethnal Green to put on their Summer Sizzler show. Embarrassing name aside it looked like a good show going in. Shinsuke Nakamura was announced to wrestle in the main event. ROH boys Adam Cole and Kevin Steen were brought in, along with the world’s premier free agent Prince Devitt (yep, I’d rank him above KENTA). Plus there was the usual assortment of leading British talent.

The opening match was a tag team championship match. The titles are officially dubbed the Undisputed British tag team titles, and I suspect the existence of other British wrestling promotions makes that name a lie. The defending champions were The Kartel, Sha Samuels and Terry Frazier, members of larger heel faction The Revolutionists. Samuels and Frazier have teamed, on and off, for around a decade.

Samuels wrestles with suspenders clipped to his trunks, has the London Underground logo with EAST written on the blue bar prominently displayed on his gear and enters wearing a scarf. Basically he does a stereotypical football hooligan routine and gets into playing the heel. He’s a fun character and a good addition to the show. I probably wrote something similar to this when writing about Uprising last year.

Terry Frazier is… less good. He looks like a low budget version of Rhett Titus, with a hint of Trent Acid mixed in. That’s not a good start but it could be easily overcome if he showed aptitude for putting on good matches. He doesn’t. Instead he resorts to cheap heat tactics such as leaping crowds to shout in people’s faces and spitting. The former can be effective but it’s not really suitable in an opening match. It sets a bad tone for the show. And even within the parameters of the fictional world of wrestling it’s still a pretty aggressive thing to do and fans would be well within their rights to deck Frazier: he’s the one starting it after all. He should probably bear that in mind, because the guys he chose to do it to (sitting right in front of me and Michael) outnumbered him and were bigger.

The spitting’s just disgusting and completely uncalled for. Basically I wasn’t impressed with Terry Frazier. As he debuted in 2001 I think it’s reasonable to expect him to have figured out better ways of riling crowds by now. Apparently he hasn’t.

The challengers for the tag straps were Joel Redman and ‘The Guvnor’ Martin Stone, wrestling under the collective name of England’s Calling. If you’re an NXT viewer you may know them better as Oliver Grey and Danny Burch. They were released from their WWE developmental contracts back in April and were quickly announced for this event. Both men had been amongst the biggest names in British wrestling when they signed with WWE. People loved seeing them back.


England's Calling with their new titles.
The match started out as a lengthy brawl at ringside. The faces threw the heels onto chairs, into guardrails, into steel shutters, and did piledrivers on the wooden floor (along with Frazier’s cheap heat nonsense). Things settled down when they got back into the ring. Samuels took control for his team by using his suspenders to gain an unfair advantage over Stone. That led to a hot tag to Redman a few minutes later. He battered both foes before hitting an assisted DDT on Frazier for the win and the titles. The performance of Stone and Redman showed that WWE could have done worse than pair them up as a team in NXT. Booked like they were here (unlikely in WWE I know) they could have torn the house down with The Ascension.

Match number two saw Henry VIII lookalike Dave Mastiff take on New Japan megastar… Bad Luck Fale. Yes, RPW had gone to the trouble of flying in Fale, a slow out of shape and generally limited wrestler who works in Kevin Nash-esque gear (hey, I love me some Nash but his gear is designed to hide his skinny legs, specifically those fragile quads of his). It would become clear why Fale was there later on, but that makes this match no less ropey.

Mastiff made things just about tolerable with his hilarious facial expressions (a constant throughout the match). He’s a good guy to have on a show: he can work a good big man match and doesn’t take himself too seriously. Fale got the surprising, and unpopular, victory when he channelled Umaga and blasted ‘Big Bad’ with a Samoan Spike. The audience wanted to see Mastiff go over.

Going from the ridiculous to the even more ridiculous a video was shown announcing that RPW’s York Hall return in October would feature a reunion of Too Cool and Rikishi. Because that’s what London needs in 2014, apparently. The news was announced by Big Keesh himself. He didn’t say that he was doing the reunion for The Rock, but I suspect that he is. For the record Michael was into Rikishi’s announcement in a big way.

Kevin Steen... and the backs of some people's heads.
As only six matches had been announced the first half ended with match number three. It featured RPW Undisputed British champion (yep, undisputed) ‘Party’ Marty Scurll defending his title against Kevin Steen. ‘Mr Wrestling’ got the loud, positive reaction you’d expect. He’s a popular guy and I think people were pleased to have the chance to see him wrestle before he moves to WWE. I know I was.

Marty Scurll had the first noteworthy entrance of the evening. He entered to remixed music (I’ve no idea how new it is but I’m sure it’s new enough for me to comment on it) wearing a fur jacket that was possibly inspired by Forever Hooligans, although in truth it was more Del Boy than Rocky Romero. Sadly he was not announced as the star of ITV’s Take Me Out. Perhaps that’s considered played out? He was sporting some wonderfully heelish leopard print trunks with VILLAIN emblazoned on the back. That was something Steen picked up on during the match, saying he didn’t feel he could trust Scurll because of it. That got a laugh.

Seeing Steen live made me realise how good he is at interacting with the crowd. He listened to what the crowd were reacting to and chanting for and incorporated it into what he was doing. For example, he started a bit involving the ropes after he’d used them to break a couple of holds and Scurll had accused him of using them too much. This led to the crowd booing as Scurll kicked the ropes and cheering when Steen kissed them. It was something different and showed a skill at getting the fans to care about his matches in ways that don’t involve wrestling moves (when else have you ever seen people react for how ring ropes are treated?). It’s possible this is something he’s done before, but it’s clearly not something he can or would do regularly, and aspects of it grew naturally from the match. It’s a great skill for a wrestler to have and few are better at it than Steen.

This was an addition to the more usual Steenish antics of stealing Marty’s coat and running onto the entrance ramp wearing it. When that got woos, I think because people assumed Steen was stylin’ and profilin’, he tugged the thing off and gave it an elbow drop. Back in the ring he posed with Marty’s belt as the champ bailed from the ring for a breather at ringside. He was fun basically, and you need fun on a wrestling show as much as a really good match or two.

That said this match also ticked the really good match box. Steen did his apron bomb, pop up power bomb, and survived a surprisingly over rear choke. Marty escaped from the package piledriver twice and managed to kick out of a fisherman suplex from the second rope. The bout ended with cheating: Marty distracted the referee by grabbing his belt then gave ‘Mr Wrestling’ a low blow and rolled him up with a small package.

Scurll ran backstage afterwards, leaving Steen to soak in a standing ovation. That was designed to send us off into the interval happy as much as anything else.


The man. The Myth. The legend. Andy Quildan.
The subject of the interval is probably a good time to bring up Andy Quildan. He’s gotten himself over with me and Michael (and possibly other people too) by being not only an uninspiring ring announcer and general hype man but also for his (probably deliberate) poor time keeping. He said the interval would be a “brief” fifteen minutes. It was just under half an hour. At one point during the show he was heckled by some kids and responded by jokingly saying, into the mic no less, “I’m a liar.” Nobody seemed to understand what that meant. His finest gaff of the night was easily his announcing during the main event where he introduced Adam Cole’s opponent Prince Devitt with the words “And him opponent.” At this point Quildan is part of the reason I like RPW.

The second half kicked off with what had been previously been announced as the main event: Zack Sabre Jr versus Shinsuke Nakamura. Junior wore his GHC junior tag title to the ring and had NOAH written on his boots. He’s clearly proud to be working for a badly faltering Japanese promotion. In fairness he probably makes more money from wrestling there than for wrestling for RPW, so he probably should be proud.

Nakamura’s entrance involved him posing with a geisha in the entranceway, doing his sexy steps and biting his fingers. Unfortunately Quildan announced him as he was walking to the ring which meant he didn’t get the chance to do his bend over backwards rope pose as his name was shouted. Other than that it was as close to a New Japan entrance as could realistically be achieved in what is essentially a village hall in east London.

The entrances are an aspect of the show that Quildan deserves credit for making particular effort with. He’s clearly realised that entrances have become a more significant part of wrestling shows, thanks mostly to New Japan, although the efforts of WWE at WrestleMania and Prince Devitt (more on his entrance below) have helped to. Putting work into giving us something memorable in that area (or at least designating the job to someone else) was a good call and a nice touch.
Nak v Zack.
Nak versus Zack was my match of the night, mainly for getting to see ‘The King of Strong Style’ in person. It started, as you’d expect, with kicks. By the end of the bout Sabre Jr was giving as good as he got (or trying to) on the kick front but when they started he didn’t seem to be going for it. Nakamura laughed his offence off, pretty much no-selling it in fact, and showed him how it’s done.

They went on a jaunt to the outside of the ring where Nakamura dropped Sabre across the guardrail with a suplex and then kicked him in the head. He tossed him into the crowd and kicked him there too. Basically there was a lot of kicking. Back in the ring Sabre Jr hit a particularly impressive dragon suplex and then upped his game on the kick front. Nak scored with a Boma Ye but Zack did the young boy one count kick out. Nak dropped him with another Boma Ye off the second rope and then immediately followed up with a third for the three count.

That was followed by a tag match. It was meant to be The Swords of Essex taking on 2 Unlimited but Swords member Paul Robinson no-showed the event and was replaced by Jake McCluskey. I don’t know what the original match would have been like but this was good, if a little sloppy and awkward in places.

The four guys packed in plenty of flying spots and a good number of double team moves. Will Ospreay (of The Swords) was particularly impressive. He’s someone that deserves a bigger role in companies like RPW. 2 Unlimited did a lot of slick double team wrestling. Meanwhile McCluskey displayed a nice line in roaring elbows. On the subject of McCluskey he should probably invest in some better-fitting trunks: he was nearly falling out of the ones he was wearing. 2 Unlimited won after one (I apologise for not knowing which) sat on the top rope and the other did a 450 from his shoulders, the sitting one following up with springboard phoenix splash.

That match was followed by the announcement that Kazuchika Okada will be joining Too Cool at the company’s October show. I hope he and Gedo join in on the dancing. I think I’m going to be disappointed.

That left only the main event, Adam Cole taking on Prince Devitt. Here Devitt made his entrance dressed as Bane. That’s the good take on Bane from The Dark Knight Rises as opposed to the rubbish take on Bane from Batman & Robin. Devitt could actually have gone with the original comic book look as that had a burly luchador vibe. He probably made the right choice though: the recent cinematic take is far more recognisable to non-comics fans.

Bane Devitt.
Two guys dressed as American cops confronted Devitt in the aisle and took a beating before he made his way down to the ring. That’s what I’m talking about when I say thought and work had clearly gone into some of the entrances on this show. Bane Devitt’s intro surpassed any you’ll see on the average RAW.

The match was very good. Being a Cole match there were awkward posing moments and super kicks. Being a Devitt match there were double stomps. Had I been watching online or on a DVD it’s possible I’d have preferred it to Nakamura v Sabre Jr. But I wasn’t so I didn’t. They brawled up to the entranceway at the beginning and did some sort of dive spot I couldn’t see properly before returning to ringside. Cole got placed on a chair and kneed in the head after a lengthy run-up. In the ring he scored a cracking near fall off a pair of super kicks and a Florida Key. His figure four earned woos and excited the fans but didn’t get him a victory (it’s unlikely to without Delirious booking). Ultimately Devitt came back with a superplex and a double stomp followed by Reverse Bloody Sunday for the win.

Lovely shot of Sha's suspenders there.
After the match the two men shook hands before the ROH champ left, giving Prince a moment alone in the ring to soak up audience adulation (playing on the rumours that he’s off to WWE and this would be his final RPW appearance). It didn’t last: The Revolutionists ran in and gave him a kicking. The predictable Bad Luck Fale wander-in came after about thirty seconds of Devitt taking a beating. The faces recovered long enough for Devitt to say that he’d come close to getting the Bullet Club (of which he and Fale were the founding members) involved in an RPW show in 2013 but it hadn’t happened. Regretting that missed opportunity he announced he wanted to make up for it then and there and challenged The Revolutionists to a tag match.

That was agreed to and kicked off immediately. Devitt was isolated from the opening bell and spent most of the match taking a beating and dealing with outside interference with Revolutionist members not officially involved in the match. When it became clear that the outside interference wasn’t going to stop Kevin Steen ran down to even the odds, allowing Bullet Club to get the victory with a Fale Samoan drop and a Devitt double stomp.

Send the fans home happy, yeah?
The show ended with some posing. First Fale hoisted Dev up on to his shoulders and then Devit strangled Sha Samuels with Sha’s own scarf as he did the Bullet Club gun sign to his head. They finished up with Steen joining them for some Kliq posturing. It was a strong end to a fun show.

Summer Sizzler did not reach the heights of Uprising 2013 but I don’t think it was ever going to. The line-up for Uprising was exceptional, boasting a higher calibre of fly-in overall (Fale brought things down for Sizzler) and a greater number of matches. But taken on its own merits, which is the fair thing to do, SS was a success. There was only one match that could truly be considered duff and that was more than made up for with Scurll v Steen, Nakamura v Sabre Jr, and both Devitt matches. If shows like this could be produced more frequently RPW could really go places.

Wednesday, 19 March 2014

New Japan Goes Forth

Is 2014 the year New Japan are going to crack the west? The reason I ask this is because they are, as a company, doing various things that seem designed to help them gain acceptance in a part of the globe that equates big time wrestling to WWE.

The big thing they’ve done is announce a pair of co-promoted shows with Ring of Honor in May. Most people that watch ROH are going to at least be aware of New Japan, even if they’ve never watched a full show before. But there’s still a chance the move will open them up to fresh eyes. It will certainly put them in front of fans who wouldn’t otherwise attend a NJPW show.

More to the point even the viewers who are aware of New Japan likely won’t have watched a New Japan show and understood everything that’s happening. Co-promoting with Ring of Honor gives New Japan access to an English language commentary team who can provide backstory and context to the matches and personalities presented on a dual company event.

These shows will encourage new and established western fans to watch a New Japan show. As the biggest wrestling company in Japan by a considerable margin expanding into new areas is a major way for NJPW to make money (although by all accounts they’re doing pretty well in Japan). ROH comes as close as a US promotion can to emulating the Japanese approach to presenting wrestling, which makes them a good company to pair up with.

London, Toronto and NYC will all see Nakamura in 2014
Far less significant but still something that indicates New Japan have plans outside of their homeland is the confirmation of Shinsuke Nakamura wrestling for Revolution Pro Wrestling in June. The venue for the event, York Hall, holds around a thousand people. That’s not a huge number, especially compared to many of the buildings New Japan uses for their own shows, or compared to many other sporting events held in Britain. But it’s still a thousand more people watching a New Japan contracted performer wrestle live than would otherwise. It’s another example of New Japan getting their talent, and their own company name, into the west.

Something that could be overlooked, especially by people who regularly watch New Japan shows, is that in many ways the IWGP world champion Kazuchika Okada is a very western act. He has a big, flashy entrance, grandiose music, a manager that talks him up as the best wrestler in the world, and an arrogant, condescending character.

They’re not being framed in an American way but these are still not things typically seen in puroresu. It’s more a Magnus or Randy Orton top heel approach, albeit done far better. Obviously Okada having the title is more about his own ability and New Japan creating a fresh star to help them continue to attract fans, but it’s interesting that a less traditional champion is in place as New Japan is in a position to expand to fresh regions.

New Japan have already put on a number of excellent shows this year. Wrestle Kingdom 8, New Beginnings and their anniversary card were all enjoyable affairs. The moves the company is making to open itself and its talent up to fans outside of Japan is promising and hints at bigger things. But I don’t think it means that 2014 will be the year New Japan cracks the west.

They made a significant foray into North America in 2011 and ultimately that led to nothing. I think their cards with Ring of Honor will be more successful and will be likelier to receive follow up but they won’t help New Japan make it big. Only one thing will do that: English language commentary. Until there’s a regular commentary team in place that understand the storylines, history and roster of New Japan enough to do a good job explaining it to English language audiences New Japan cannot hope to compete with even TNA, let alone WWE. People like to understand what they’re watching after all.

I want New Japan to do well outside of Japan. I hope it does happen. New Japan don’t have to scour around for someone incredible, just someone capable with a passion and interest in helping them grow. Of course an incredible announce team involving Jim Ross would be nice but it’s not a prerequisite. Nor is it likely. Someone who can call moves and who is dedicated to learning and helping expansion is what New Japan need from a commentator. That’s what I want to see them get. Because that’s what will give them a chance to become the world’s lead wrestling promotion.