The problem TNA faces here is the same one it’s always
faced. It needs to find itself an identity.
It’s possible Spike is happy for TNA to be a very low
budget imitation of WWE, getting the low viewing figures you’d expect such an
uninspiring mission statement to generate. It’s possible that a new TV home
would feel this way, happy to have a relatively cheap pseudo-sporting programme
to attract a sliver of a specified demographic.
This attitude would explain a great deal but it’s not
really much of an identity for TNA. And it’s not one that’s going to lead to a
strong business model. If the last few years are any indication it’s not even
enough to be a workable business model.
There are a variety of directions TNA could take to hook
some fresh regular viewers. The first is getting rid of the bulk of their
roster, hiring a bunch of young lucha-influenced guys and presenting themselves
as the home of daredevil wrestlers who will thrill and excite with their
planchas and rotation splashes. Then they could frame the introduction of new
wrestlers with realistic, relatable characters and gimmicks with video packages
in which the newcomers explain their character’s motivations and goals, keeping
things clear and simple. The in-ring style is what the group flirted with in
its early years with the X Division, although it ultimately took the route of
building around ex-WWE and –WCW names instead.
A picture of Low Ki. Because why not, eh? |
They could embrace their rep as a WWE tribute promotion
and attempt to emulate the style of what is arguably WWE’s most successful
period: the Attitude Era. On the surface that would mean more chair shots,
swerve turns, blood, swearing and a greater emphasis on gimmicks. At a deeper
level it would see the group understand the need to elevate new stars and have
everyone on the roster doing something. Enough people argue for a return of the
Attitude Era that it has to be a feasible option for TNA. It wouldn’t allow
them to grow a great deal, but it might attract fresh eyes and allow them to
increase their audience as their work out a direction in which to develop,
taking their existing and new fans with them. Just as importantly, it’s an
approach that WWE are definitely not going to go back to.
The direction I personally think they should take is
emulating the early years of Ring of Honor. There the matches were what was
important, rather than gimmicks and storylines. That more simplistic approach
would allow TNA and its writers to strip away the fripperies that currently
clutter up Impact. It could also allow them to trim a name or two from their
writing unit. That’s probably desirable to a company looking at shrinking
(again). And it would fit their current roster nicely.
Emulating old ROH they could make offers to guys like Paul
London and Brian Kendrick to work alongside their existing crop of former Honor
talents Low Ki, The Wolves, TJ Perkins, and, of course, Samoa Joe. That roster
coupled with TNA’s underrated production values and backstage approach could
allow them to look fresh and new. It wouldn’t alienate their existing fans
(certainly not in any concerning number) and would stand a chance of attracting
new eyes. The style such a roster would work is also one wholly compatible with
the standard indy style, meaning that new hires could be slotted in with a
minimum of concern and fuss.
None of these ideas are long term solutions for TNA. But
they would provide a more coherent, recognisable identity than what the
promotion currently offers. That would allow them to stick around long enough to
come up with something original with a wide (preferably wider) appeal.
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