Showing posts with label Too Cool. Show all posts
Showing posts with label Too Cool. Show all posts

Friday, 24 October 2014

Second Opinion: RPW Uprising 2014

I wasn’t the only person at last Saturday’s RPW Uprising show. Michael King was there too. Sitting next to me, as it happens. On Sunday I asked him if he fancied contributing some thoughts to my write-up (you can find that here). What he sent over ended up being over one thousand words long. Which, y’know, is easily a blog post in its own right so I decided to present it in full. It’s presented below, with anything in italics added by me. Because why not?

***

Lionel Richie’s All Night Long runs four minutes 19 seconds. Rich Swann’s entrance, based around the song, felt significantly longer. By the end of the match the crowd had cheered itself out, much to the detriment of what followed. It’s a shame this didn’t go on after the interval.

The match was good. Think a PPV/Network Special opener, or post Cena-promo Uso tag match on RAW. Lots of reversals, combos and dives to the outside, all pulled off with exceptional timing and little to no regard for psychology. Aries is as crisp in person as he is on TV. 2 Unlimited bad-guyed it up despite their adorable denim waist coats and propensity to move their mouths as if to taunt the crowd, but not actually say anything. Maybe they have very silly voices (They’re Irish so they probably do). Aries took the mic after the match to tell the crowd to keep the energy up. He obviously knew what was happening before we did.

Britain's premiere hoss. That'd be a good moniker for him, actually.
The next match featured Dave Mastiff against Karl Anderson. You’d think Anderson, being used to wrestling to the sound of a dripping tap in the Tokyo Dome men’s room (and only getting a pop for re-entering the ring) would have adapted better to the lack of atmosphere, but it seemed to put him off. Mastiff lives his gimmick and generally held up his end of the match. On reflection this match was pretty decent. A good ol’ meat bash (Oh!) with some big spots and a decent finishing sequence, but it felt a little flat whilst it was going on. We have Swann and Richie to thank for that.

To take us into the break we saw the best wrestler in the world face Adrian Neville’s old tag partner. To be fair Joel Redman is a much better singles wrestler than viewers of NXT would believe, but he was the wrong opponent, in the wrong slot. A big part of these RPW shows is being part of the reaction these big ticket foreign stars receive. Seeing Hiroshi Tanahashi burst through the curtain twelve months ago (in the main event) was surreal, and the reaction appropriately massive. Okada got some weak chants and a single streamer. The crowd wasn’t ready for him.

The match itself was decent, despite a complete lack of chemistry between the two men. Redman seemed a little unsure of his role and Okada’s deadpan arrogance didn’t work with the smaller crowd in the same way as Tanahashi’s stiff  arm air-guitar or Nakamura’s nuanced epileptic routine. I can’t stress enough how insane it was that this went on pre-interval. Okada, at 26 years old, is the biggest star in the world’s number two promotion, and will most likely be on top for at least another decade. Anyway, enough of that. Okada won.

The show resumed with the Revolutionists facing Too Cool. I should preface this by saying that I spent a long time where my only access to WWE was VHS tapes and Sunday Night Heat, which at the time seemed to consist of lovingly framed shots of Trish Stratus; Mick Foley going to theme parks; and Too Cool main events. This probably goes some way in explaining why I enjoyed this so much (Amazingly other people enjoyed their tedious routine too. I think I was the only one who didn’t see the appeal in a former light heavyweight champ, a grossly overweight Samoan, and Jerry Lawler’s estranged son). I wanted to be angry for Okada, but seeing these three men go through their old routine moved me in a way I wasn’t prepared for. This was so, so, so stupid and I loved it.

That said, Sha Samuels is great and deserves better than this. (I couldn’t agree with this more)

The championship match was set up with a video package. I didn’t hear a word but most of it still came across. Stone was angry because he is less well thought of than Mojo Rawley. Scurll is crazy now because he has a beard and an umbrella and that’s why he is the best Martin. These two had by far the best match of the evening, with plenty of outside brawling, near falls, heelish shenanigans and Scurll’s Vince McMahon impersonation. Scurll seems a little restless with his gimmick and it’s easy to see why. He is so far ahead of those round him in terms of presentation, pacing, crowd interaction and work rate that he probably changes things up so frequently to keep himself entertained. I can’t get into Stone. As a wrestler he’s fine, but his ring gear, promo delivery and lack of personality give him the feel of a fill-in main eventer.

Michael isn't one for national pride.
The post-match angle involving the (wonderfully panto) Knight family was a fun bit of wrestling nonsense. It went on far too long, but so did everything on the show. Dave has said all that needs to be said about the pacing, so instead I’ll complain about the constant references to the UK made on the show. This was the first RPW offering in a while to not feature anyone in Union Jack trunks (the UK wrestler equivalent of black wrestlers wearing animal print), but we still had it incorporated into the set (see right for one of Michael’s least favourite aspects of the show), and the Knight family patriarch (who based on the relative appearances of his sons and daughter (Paige), is a dismal producer of XX chromosomes) referring to the invaders as The UK Hooligans.

No-one in the building was confused about where we were, neither will anyone be when watching a DVD. The ostensible main event featured a man called Martin fighting another man called Martin. Wrestlers used scarfs and umbrellas as foreign objects. Not one reference was made to college football. All the UK references make the production look as indy as anything.

Ospreay vs Sydal went on last. There were flips. I question the decision to put an amiable face v face crusierweight match on after a number a genuine star attractions and a hard fought, angle heavy, championship match. But hey I also like my brief intervals to last less than 40 minutes (He wasn’t interested in a picture with Austin Aries and former TNA megastar Rosita).

A strange show, bafflingly less than the sum of its parts. Too Cool were oddly perfect, but with so many indy free agents now snapped up by NXT and the NJPW roster tapped, I wonder whether RPW can channel some of it’s momentum into building the size and profile of its home grown roster. Scurll versus Gangrel at Summer Sizzler?

Sunday, 19 October 2014

RPW Uprising 2014 review


In October 2013 Revolution Pro Wrestling revived the Uprising name previously associated with the FWA for what was billed as their biggest show ever. In addition to using some of the best British wrestlers available they brought in foreign stars Michael Elgin, Prince Devitt, Ricochet, Davey Richards and Hiroshi Tanahashi. Colt Cabana was also there. It was an approach designed to do two things: demonstrate that the promotion was a big deal and attract fresh eyes. It certainly achieved the latter. Whether it achieved the former depends on your perspective, but I think they did a solid job and put on an excellent show.

This year RPW returned to York Hall for their second Uprising card, once again bringing in foreign stars. This time they took the form of Matt Sydal, Austin Aries, Karl Anderson, the triumvirate that is Too Cool, and Kazuchika Okada. There were actually a greater number of imports on this card than there had been the previous year, but somehow the event didn’t seem as significant leading into it.

Part of the problem here was that RPW had booked a second show the night after (it was originally titled Okada vs Ricochet although I suspect it will end up changed to Okada vs Aries). It’s possible that the company stretched itself a little thin by splitting some of the fly-ins over two cards. Concentrating everyone on this show would have added one or two matches and made better use of the time the show got.

The line-up for Uprising 2013 was incredibly strong. There was almost no way it could be topped. It was Tanahashi, the man who had carried New Japan through a rough patch and come out the other side as their unquestioned top star, wrestling in front of a thousand people in East London. That was very obviously a big deal. Using Nakamura and Okada since has almost made it an expected thing that New Japan talent will appear on the larger RPW cards. Tanahashi benefited from being the first (Liger had appeared a few months before him, at York Hall, but the show did not receive anywhere near the hype Tana’s did), and from being presented as the star attraction.

It also seemed hard to get into the rest of the import line-up to the same degree this year. Elgin and Richards were bona fide ROH main eventers (and personally I was delighted at the opportunity to heckle Richards). Devitt was a New Japan upper mid-carder who everyone was beginning to expect would move to WWE (which he did) or move up to New Japan main events. Ricochet could accurately be described as one of the most exciting wrestlers in the world (and it’s worth noting he went on to become the first non-Japanese grappler to win the Open the Dream Gate championship in March of this year).

By contrast Sydal was benched by WWE for years, Aries is booked pretty poorly by a flailing TNA, Anderson is a tag guy in New Japan, and Too Cool are Too Cool (but not too cool). Only Okada had flawless, unbridled star power. And none of the matches looked as though they’d be able to hold a candle to the 2013 match of the night Ricochet v Prince Devitt.

I know how unfair these complaints sound but it’s what was going through my mind going into the show, even though everyone had something to offer. For all of the poor booking they’ve been subjected to Aries and Sydal are very talented wrestlers. And ‘A Double’ wasn’t initially booked for the show, he was a last minute replacement for Ricochet following a scheduling conflict with Lucha Underground. Anderson is enjoyable enough if taken on his own terms. Okada is world class. Even Too Cool can be enjoyed as a nostalgia act. There was the British roster too, of course. But still there was a nagging sense that Uprising ’14 was not going to live up to its 2013 counterpart.

Sadly, these fears were merited. Uprising 2014 had some significant flaws.

One of the biggest problems was something that occurred before the first match started. It was Rich Swann’s entrance. He danced his way out to Lionel Richie’s All Night Long, a long-time staple of his act. It was very entertaining and the crowd got into it. But it went on. And on. And then it went on some more. It lasted so long, in fact, that the audience was burnt out from it. By the time match two rolled around reactions had died down considerably.

The second problem was the evening’s running order. This biggest misstep in that regard was Okada going on before the intermission. The audience clearly didn’t expect to see him that early in the night. He got a good response, but it was nowhere near what I’d expected. This wasn’t a result of the audience not knowing who he was: Tanahashi and Nakamura had got much louder responses in the same building for their RPW work. Everyone knew who he was, cared about him, and wanted to see him perform. They’d just expected him later.

The second half kicking off with Too Cool wasn’t the worst decision in and of itself, but their shtick would have been a better fit for the slot Okada was placed in, dancing people into intermission. And the final two matches should have been swapped around. The fifth match saw Martin Stone unsuccessfully challenge Marty Scurll for the British heavyweight championship. The sixth saw Matt Sydal defeat Will Ospreay. Each was followed by its own angle. They could have been combined and used to close the show, which would have trimmed the running time. Which was the other major problem the card had: it was far too long. Entrances were lengthy, there was a lot of stalling from pretty much everyone, the post-Stone-Scurll match angle featured a promo that was far too long, and matches were given too much time. Things could have been tightened up considerably without losing anything of value.

This man has a lot to answer for.
There were good points, and before I get to them I’ll run through the card itself. The opener saw Rich Swann and Austin Aries defeat 2 Unlimited in an exciting tussle. Swann, as already noted, milked the crowd, but he was able to do so because he was so over. I’ve knocked him for his lack of psychology in the past (and his willingness to eat up heat when he’s on first proves my point nicely, I think) but he’s fun to watch. Aries was, obviously, very popular too. Which meant the Irish lads were left to play heel, which they did a cracking job with.

The match featured flying spots, dancing, and some solid double team work from the brothers. Swann was worked over for a while before tagging out to ‘The Greatest Man Who Ever Lived’, who came steaming in to clean house. The faces picked up their win after Swann wiped out one of 2 Unlimited (I apologise for still being unable to tell them apart) with a dive to the floor and Aries dropped the other with a brainbuster. All four shook after the match and Aries cut a promo thanking the fans and telling them to keep the energy up (which I now suspect meant he knew Swann’s grandstanding would have a negative effect long term).

Match two pitted IWGP heavyweight tag team champion Karl Anderson against ‘Big Bad’ Dave Mastiff. I adore Mastiff for his Henry VIII look and kids’ TV facial expressions. The crowd favoured him too, although there were still a lot of people inexplicably into Anderson. Their timing was a little off throughout the match but they still pulled off some good power spots, including a ‘Double A’ spinebuster from Anderson, a deadlift German suplex from Mastiff, a German suplex into the turnbuckle on Anderson, the Swivel Gun Stun, and a cannonball reversed into a traditional Gun Stun. The last earned Anderson the win.

After the announcement that AJ Styles had been booked for the February 15 return date (which ring announcer and promoter Andy Quildan plugged incessantly, one of the many timing cuts that could have been made) it was time for the Okada match. As already noted the crowd were not expecting to see him that early on, which meant he received a slightly subdued response and no streamer treatment. The bout also suffered because Okada’s opponent, former NXT Superstar™ Joel Redman, didn’t seem to want to play heel. His build and the fact that he was facing a man who nobody in the building was going to boo meant that he should have switched to the antagonist role for the match.

Okada? He doesn't deserve to go on after an intermission?
The crowd didn’t get into the action until its second half. I suspect this was a combination of the surprise at seeing Okada so early, Swann burning people out, and nobody believing any of the early pin attempts. Things did eventually warm up when Okada went for a Tombstone piledriver and Redman reversed it, resulting in the best false finish of the night. From there we got a suplex from the apron into the ring, a lovely Okada drop kick, and, after a failed attempt earlier the night, a match-winning Rainmaker.

The intermission was another contributing factor to the unnecessarily long running time. It was closer to half an hour than the usual ten or fifteen minutes. The explanation for this was that Austin Aries and Rosita were at the merch stands signing pictures. Because there was money to be made from these pictures the break was extended to fit in as many signings as possible, a classic Quildan move.

The second half kicked off with the Revolutionists striding to the ring. They did their usual crowd-bullying stuff, Terry Frazier wading into the audience to shout at a particularly boisterous group of lads that I assume are regulars at RPW shows. To be fair the trio had a serious amount of heat on them. Too Cool also spent a long time milking their entrance, although as a nostalgia act that seemed to make more sense.

The match was not good but avoided being actively bad. Rikishi struggled to climb on to the ring apron so actual wrestling was obviously going to be tough for him. Meanwhile all Brian Christopher contributed was bad dancing and looking astonishingly like his dad. It was left to Scotty to do the bulk of the work for his team. He got worked over to set up a hot tag to Rikishi, who came in, pulled his trunks down, and gave Sha Samuels a bare Stinkface in the corner. It was not pleasant to watch. I can only imagine what it was like to take. The move got a loud reaction but I think Terry Frazier would have been the right man to take the “move”. He’s by far the most irritating member of the group.

Surprisingly it was Too Cool that won. As the promotion’s top heel stable I’d expected The Revolutionists to win after cheating and then get chased off by the faces. But no, they went down clean to the guys who have wrestled on TV. After the match Brian Christopher told us Rikishi had pulled his calf muscle (perhaps he has a doctorate nobody knows about) and said that celebratory dance may not happen. Rikishi took the mic and said it would happen… and then it did. There’s very little to say about it. An underrated wrestler, Jerry Lawler’s overly tanned 42-year-old son, and the out of shape father of the Usos boogied to WWE music they didn’t have a license to play. That’s it. Everyone else seemed to love it though, so clearly I was missing something.

The British heavyweight title match was preceded by promos played on the video screen. Marty’s was hard to make out but it seemed to be about Martin Stone moving to America and having to come back after he was released by WWE. Stone’s promo was about not getting the opportunities he felt he deserved and the demoralising atmosphere in which he worked while with WWE. He dropped some F-bombs that were bleeped out, but he managed to slip in a C-bomb that went unedited. Good work by Quildan there.

The crowd had heated up by this point and were evenly split between champion and challenger. Before the match Stone spoke to Norwich-based wrestler (and father of WWE’s Paige) Ricky Knight, who had been sat in the front row all evening. Scurll entered carrying an umbrella. This went unexplained. It was probably linked to the new character traits he was exhibiting: he had mostly dropped his bantering with the audience in favour of pulling peculiar facial expressions and generally trying to make out that he was unhinged (which basically meant he’d occasionally tilt his head to a funny angle). I always enjoyed Scurll’s Butlins circuit comedy but this was a welcome change of pace from him. He was also back to being introduced as the star of ITV’s Take Me Out and TNA’s British Boot Camp. The more time passes since his sole appearance on Take Me Out the funnier the gimmick gets.

Marty 'Penguin' Scurll there.
The match was styled on WWE main events. There was a lengthy brawl around the building, including a fireman’s carry on the entrance ramp by Scurll and a variety of guardrail bumps. Back in the ring Stone acted more and more like a Steve Austin knock-off, prompting me to ask Michael (yeah, Michael was with me) if he thought Stone was deliberately trying to evoke ‘The Rattlesnake’. He said “A little bit.” Then Stone did a Thesz Press.

Stone gave Scurll a running RKO, prompting cries of “Out of nowhere!”, taking chant of the night honours. Scurll skinned the cat but got caught with a concrete slam before he could right himself. Stone followed up with a power bomb and then went to the top rope for a superplex. ‘Party’ Marty ended up countering that and muscled Stone up for a crucifix bomb. It was a bit wobbly but he managed the move well enough.

Scurll hauled Stone back to his feet and set up for a Pedigree, screaming “You’re fired!” in a Vince McMahon voice before hitting it. Stone kicked out of that at one (probably designed as a metaphorical middle finger to WWE in general) and smashed the champ with a wild lariat and a top rope draping DDT. He locked in a Crippler crossface (it’s been seven years, jog on with your complaints) and Scurll tapped. The referee didn’t see it as Terry Frazier and Sha Samuels had rocked up at ringside to provide a distraction.

Moments later there was a contrived ref bump. Samuels got into the ring to crack Stone over the head with a steel chair. Scurll made the cover, the ref came to enough to make a slow count, and Stone just got his shoulder up before three, getting a great reaction. Stone tried to fight back but Scurll applied the crossface chickenwing, trapping ‘The Guvnor’ in the centre of the ring. There was no tap out. Instead the referee ruled the match in Scurll’s favour when he realised Stone could take no more.

It was a good finishing sequence. Stone looked strong in defeat and Scurll’s submission finisher got over as a powerful match-ender. I was initially against the use of the chair but because it was only used once it ended up being an effective addition to the match. Considering the finish, the heat, the storyline (which we’ll get to momentarily) and the fact that it was for the promotion’s top title Scurll versus Stone should have gone on last.

After the match Stone took a microphone to cut a textbook babyface promo. He said he’d tried his best and then moved on to the topic of his sojourn to NXT. Apparently he was told he was awful every day, although I find it hard to believe all WWE trainers would be that blunt. He put over Andy Quildan, saying the RPW boss picked up his phone the day Stone was released and offered him his old spot in RPW on the roster.

Then the angle went down. Ricky Knight left his seat and got into the ring. He called Stone a failure and said his boys Roy and Zak would have succeeded in NXT. He also referred to Joel Redman as Noel Edmonds, claimed Quildan wouldn’t pick up the phone for the Knight family, and announced that he’d never heard of Kazuchika Okada (which could very well be true). The holding down of the Knight family that he mentioned has been an aspect of his character for at least twelve years. I remember him calling into the Talksport radio show to claim that host and wrestling promoter Alex Shane was holding down The Zebra Kid (Roy) by not booking him. He’s nothing if not consistent.

Stop holding these lads down, Quildan.
Stone eventually had enough of this and grabbed hold of Ricky. Zak and Zebra left their seats and barged passed security, getting into the ring to attack Stone. Redman came out for the save but he was taken out too. There was an extended beatdown of Stone and Redman, who are the tag champions, and then Zebra and Zak took a turn on the microphone. Zebra responded to a “Who are ya?” chant with the classic playground heel response of “Ask your mum” while Zak said the Knights weren’t worried about bad write-ups from internet fans (they won’t be getting one here).

The Knights then walked out of the building’s (referred to as an arena during Knight’s promo) front door with the tag belts. Amusingly Zak went to walk backstage before remembering he was part of a worked shoot invasion angle. Redman and Stone recovered and gave chase, amusingly asking fans which way the heels went.

I liked the angle a lot. All the wrestlers played their parts well and it was about as believable as it was going to get. The only let-down was Quildan, who should have seemed more flustered as the promoter. He simply said he wouldn’t dignify the invasion with a response and went into announcing the main event like an idiot. That aside it was a sensible, interesting way to introduce a tag team and get a new feud underway. Presumably the angle will carry over to Okada vs Aries and we’ll get a match at the February 15 York Hall show.

Sydal vs Ospreay.
The main event couldn’t compete with the angle or the previous match in my mind. It was a babyface versus babyface cruiserweight encounter, ideal opening match material and out of place headlining a card that had featured a main event style match and Kazuchika Okada. It was a good match, it was just in the wrong spot.

Sydal won with the Shooting Star Press. After the match The Revolutionists returned to attack the faces. Scurll ended up alone in the ring and was confronted by his old British Boot Camp rival Rockstar Spud (hence the reference to that show during Scurll’s intro). Marty was sent packing and another fresh feud was established. Spud said a few words to send everyone home happy.

The planning for the future exhibited with Spud’s return and the introduction of the Knight lads was nice to see. It was one of the show’s greatest strengths, providing plenty of reason to give RPW’s next major show a try. And taken at face value all the matches delivered exactly what was expected. Even the Too Cool match avoided being actively bad. I imagine it would make a solid DVD.

But those positives were outweighed by the mistakes that were made. I can’t understand why Okada, easily the biggest draw on the card, went on third. Having him in the semi-main event spot would have made more sense, allowing the Brits-only title match to go on last. That could have been followed by the angle with the Knights and then a Revolutionists beatdown of Stone and Redman with Spud making the save. It felt as though there was no faith in Okada’s rep with British fans and that everything was built too heavily around the angles. And, for the record, only the match that didn’t involve a foreign talent featured a Brit winning. I’m all for fly-ins getting wins, but for them all to go over on what is apparently RPW’s biggest show of the year doesn’t seem quite right.

But hey, at least Terry Frazier didn’t spit at anyone. That’s something, right?

Results summary:
Austin Aries and Rich Swann defeated 2 Unlimited
Karl Anderson defeated Dave Mastiff
Kazuchika Okada defeated Joel Redman
Too Cool defeated Sha Samuels, Terry Frazier and Josh Bodom
Marty Scurll defeated Martin Stone to retain the British heavyweight championship
Matt Sydal defeated Will Ospreay

Sunday, 2 March 2014

NXT ArRIVAL review

I believe that NXT is WWE’s best weekly show. The one hour run time means that performer’s don’t become stale through overexposure. The focus on actual wrestling is refreshing and well-suited to the talented roster, featuring as it does many former indy standouts. Everyone on the show has something to prove and is hungry to impress to gain promotion to the main roster. And everyone there is a relative newcomer to the WWE system, meaning that the stagnation that plagues RAW and SmackDown isn’t present.

These were some of the reasons that I was excited when WWE announced an NXT special would be airing. Another was that it would be live. It’s in the live environment that WWE does their best work. I was also pleased because it was essentially the equivalent of a pay-per-view for the league, the chance for the regulars to perform for a wider audience and impress new eyes. And I’m sure there were new eyes on the show, because it was broadcast on the WWE Network.

Finally I was pleased because it showed that WWE has faith in the NXT wrestlers. If they didn’t they wouldn’t have centred the first of what one assumes will be many live special of the Network on them. It’s nice that the company recognises how good the men and women in the league are.

Dramatic music and lighting started the evening. From the gloom Triple H asked the crowd if they were ready (twice, naturally) and then a spotlight turned on to reveal him stood in the ring. It was a particularly unsubtle way of reminding us who the big star was. Thankfully it as the only instance of overshadowing for the whole show and was easily overlooked. Some fireworks went off and an NXT chant started before a hype video played that showed the likes of Bruno Sammartino, Hulk Hogan and ‘Stone Cold’ Steve Austin before giving way to the NXT regulars.

The announce team Tom Phillips, Byron Saxton and William Regal welcomed us to the show as Sami Zayn and Cesaro made their entrances for the night’s opening contest. Both were cheered, which wouldn't have surprised anyone who watches NXT regularly. A "match of the year" chant started up as the bell rung and became duelling chants of "We the people" and "Sami Zayn" when they locked up.

Cesaro took charge for the first several minutes of the match, doing a lot of out of the ring brawling. A particularly enjoyable saw Zayn try to dive through the ring ropes in the corner only to be met with a European uppercut. Not only was it a nice spot well performed but it was also a call back to their previous encounter, something we don't get often in WWE, even in bigger matches. It spoke of their time working for smaller, more wrestling-focused organisations.

Cesaro, grinding that knee like a pro
Cesaro continued to control the match back in the ring as he switched his focus to Zayn's previously injured knee, stomping, grinding and dragon screwing it before applying a single leg Boston crab. Zayn tried to turn the tables with a moonsault after back dropping Cesaro to the outside but got caught and dropped on the entrance ramp. The duelling chants were back when the Canadian rolled back into the ring, turning to cheers when he head and arm suplexed 'The Swiss Superman' into a turnbuckle. He stayed on offence with a blue thunder bomb, which got him a two count, and the Koji clutch. Cesaro twisted his way out of that and countered into the Stretch Muffler, damaging Zayn's knee before he could reach the ropes. Cesaro followed up with his phenomenally over Big Swing and a chunky uppercut in the corner. They exchanged pin attempts before Cesaro double stomped Zayn's face.

Not to be outdone Zayn performed a top rope hurricanrana and followed up with a yakuza kick for a close two count. Cesaro dropped Zayn with an uppercut and told him to stay down. Zayn was up at three, only to get put down again. He was slower to get up the second time, getting back to his feet for seven. The time he staggered up to his feet Zayn managed to absorb Cesaro’s uppercut and fire back with punches, then a crisp German suplex. Cesaro tried coming back with a Neutralizer but Zayn countered with a rollup for two. Seconds later he got another near fall with a sunset flip bomb. Zayn kicked out at one from a Swiss Death, prompting Cesaro to go one better and hit a rolling uppercut and a leaping Neutralizer to finally get the win in an incredible bout.

Afterwards fans chanted "Match of the year!" It's early to be saying that but I'll be surprised if it's not in a lot of top match lists come December. It was easily the best match of the ArRIVAL show.

Cesaro swaggered around the ring posing and walked into the aisle before looking back at Zayn, who was doing a beautiful job of selling the importance of the loss and the devastation he was feeling. Cesaro returned to the ring and stood over Zayn as the fans chanted "Hug it out!", a call back to Zayn's time working as El Generico (as are the olé chants heard during each of his matches). Cesaro pulled Zayn to his feet and, surprisingly, they did hug. I'd expected a handshake. Cesaro then left Zayn alone to soak up the cheers of the fans. I can't imagine a better match and post-match segment to start a show designed to illustrate how good NXT is at its best.

The first man of the night to hear solid boos was CJ Parker. His opponent was Mojo Rawley. His gimmick is basically that he has unlimited energy. Perhaps he’s addicted to Red Bull. He also wears very large trunks. Mojo won a simple but fast-paced match with his sitdown splash Hyperdrive move.

Backstage Emma was shown prepping for her women's championship match. Then a video was shown recapping her NXT career so far. It did a nice job of blending the seriousness with which she approaches with the more humorous aspects of her persona.

That was followed by a similar video for Konor and Viktor, The Ascension. They came out to defend their titles afterwards. For the record they now enter to generic rock music and have dropped the Game of Thrones inspired entrance gear. It's a shame. That was one of the most interesting parts of their act and something that helped set them apart. That said they’re still considered "the total package" by none other than Kevin Nash, so they must be doing something right.

The greatest act in NXT? They're definitely not the worst
We were informed by Tom Phillips that The Ascension had issued an open challenge for a title match. It was answered by Too Cool. Amazingly they were heavily cheered. There are clearly lots of positive people in Orange County, Florida. Grandmaster Sexay was kept isolated by The Ascension for several minutes before he finally made the hot tag to Scotty 2 Hotty. He tried for The Worm but got hung up on the ropes and hit with The Fall of Man (a.k.a. Total Elimination) for the three. For what this was, an example of The Ascension being a rough, tough and impossible to stop team and a chance to see Too Cool again, it was a fine match.

Next up Paige got the video package treatment. She put over the championship and Emma. Again, it did a very good job accomplishing its goals. If the students at Full Sail University are involved in this area of production, one of the reasons NXT is recorded there, then they’re learning from some of the best.

Stephanie McMahon came out before the women's title match and talked up the Divas divisions of WWE and NXT. She introduced Emma and Paige and shook hands with both before the match. Presumably that was supposed to be meaningful but it didn’t feel it. It felt like a misguided attempt at doing some sort of women’s pride thing. When Triple H puts people over it has meaning because he’s been a wrestler and a multi-time world champion. When Vince puts people over it has meaning because he’s the greatest wrestling promoter ever and knows a good act when he sees one. Stephanie is a former WWF women's champ, I suppose. But how many of you actually remembered that? It’s certainly not what she’s known for.

Anyway, the story of the match was that the two knew one another very well and were able to counter each other's moves and, to use a cliché, their counters. Emma dominated Paige for a lot of the match, working over her back with submission holds and even using a power bomb, not something you see in the standard Divas' match. She was even able to kick out of Paige's usually reliable Paige Turner. Eventually Paige applied a move Regal referred to as the Scorpion Cross (it looks a little like a reverse Sharpshooter but sees the person applying the hold taking their opponent's arms and hoisting the torso up from the mat) and won via submission. It was a great match. The sooner Emma and Paige are on the main roster facing AJ Lee the better.

A hype video was shown for Adrian Neville. He's the sort of performer who lends himself to a highlight video because he performs so many fun to look at aerial moves. It was excellent and once again not only showed how good a wrestler its subject was but also saw the subject put over the importance of the match they'd be having.

Before the main event it looked like we'd get Xavier Woods versus Tyler Breeze. 'The Sultan of Selfies' got a better reaction than R-Truth's protégé, including a "Breeze is gorgeous!" chants. The match didn't happen though. Alexander Rusev stormed to the ring and jobbed out both Woods and Breeze. Lana cut a pro-Rusev promo and got a “USA!” chant (c’mon guys, it’s 2014). Rusev spoke in Bulgarian and got the “What?” treatment.

NXT champion Bo Dallas was the last man of the night to get the vid treatment. The focus was on establishing Bo as a face unaware that he's a heel for new viewers. It also covered some of his "Bo-lieve" highlights. Then a second video aired looking at the Dallas v Neville feud. That was just as good as the others that had aired. It was a good night for video package fans.

Shawn Michaels came out to hang the championship belt above the ring and talk up the importance of NXT and the match we were about to see. If WWE were willing to get him in for the first live NXT special surely they could have got him for the first RAW of the Network era too? He would have added something to what was otherwise a fairly flat episode of RAW. But that's by the by.

Look at that action!
The challenger got cheered when he entered. The champion got heavy boos that petered out to a fairly flat reaction. Both got a handshake from HBK. The match that followed was good. There have been better ladder contests but it was impressive for two guys making their first attempts at the gimmick. Neville took some hearty bumps and kept the crowd behind him. Dallas took fewer spills but did do a good job when it came to ensuring the crowd kept riled. That's one of his strengths as a performer.

The finish saw Dallas buckle bomb Neville into a ladder and then get a ladder kicked into his face as he charged the flagging challenger. Neville then scooped the champ onto a ladder and connect with a Red Arrow and left him free to climb the ladder and snatch the belt for the win. He got a long time to celebrate as the announcers talked up his winner and status as a future star. To really hammer the point that he’s a man to watch home John Cena was shown applauding him from the crowd.

This is something that could hint at an imminent promotion for Adrian Neville. If it were to happen it’s unlikely the NXT belt would be shown or even referred to, but Big E made the move to the main roster just after losing the strap, as did Seth Rollins, and Dallas himself had enjoyed a brief flirtation with the bright lights of Monday Night RAW only a couple of months before he captured the gold. NXT title reigns are linked to promotions if history is anything to go by.

I think more ladder matches are in Adrian Neville's future
I like Adrian Neville but I hope that isn’t the case here. A call up while WWE’s focusing on WrestleMania, or even in the weeks immediately following that big card, would almost certainly result in him being left adrift. So would, I suspect, moving him up as a singles performer. There are so many guys working solo in WWE right now that it’s tough to imagine anyone, no matter how good they are, making a sufficient impact.

Personally I think Neville would be best served working on the main roster in a tag team with a fellow flier like Kofi Kingston, Justin Gabriel, or Evan Bourne (remember that guy?). Being part of a team would lead to more use as the tag division’s getting a little light, and it would also allow him to grow on people over time. That said WWE have shown they know what they’re doing with moving people up during the last eighteen months, so if Neville, or anybody else, gets moved out of NXT I’ll assume they know what they’re up to until I see otherwise.

WWE did an excellent job with NXT ArRIVAL. It highlighted NXT’s excellent roster and illustrated why it’s a programme worth watching. As special as it was it was not that far above the levels of quality seen on an average episode, which speaks more to the programme’s consistency than anything else. I hope a lot of people with the WWE Network (being in Britain I wasn’t one of them) tuned in for this. It deserves to be regarded as a success.

Monday, 6 January 2014

The Man in the Boiler Suit

If you didn’t watch RAW last week you’ll have missed Daniel Bryan finally giving in and joining the Wyatt Family. I wrote last month about why this is not a good move. You can read that here. My opinion hasn’t changed since.

This is happening. Get used to it
What was Bryan’s reasoning? The support of the fans hadn’t gotten him anywhere apparently. Yep, the classic heel turn excuse. Only, really, this isn’t the most passionate heel turn in history. Bryan has cut any scathing promo on wrestling fandom. He’s just had enough and joined up with a group that says they want to help him. Maybe he’ll do something more overtly heelish on this evening’s show.

Assuming he appears on tonight’s RAW (and why wouldn’t he?) D-Bryan will probably be sporting a rather natty navy boiler suit. It’s what he’s worn at house shows over the last week to demonstrate his Family ties. The amusement factor is something to look forward to I suppose.

The show as a whole will be presented with the much loved (by somebody, somewhere) old school theme. This basically means there will be a range of former WWE stars on hand for the show, many of whom were more prominent before the debut of RAW than after. Among them are Roddy Piper, Sergeant Slaughter and Dusty Rhodes. Attitude Era fans will be catered for with The Godfather and the reunion of Too Cool. If you’re wondering that reunion’s happening don’t worry: we all are.

He may be a free agent as of this morning but don’t expect Jeff Jarrett to show up. ‘Double J’ and WWE had a falling out fifteen years ago and it’s unlikely the man from Memphis will ever appear for WWE again. In fact it’s likelier that Hulk Hogan will appear. He definitely fits within the old school remit and it would allow WWE to start setting something up for him at WrestleMania. Assuming he’ll be doing something at WrestleMania, of course.

The point of this (yes there is a point) is that I tend to like the old school editions of RAW. Because WWE actually puts some effort into making them watchable and special. It’s not about seeing the stars of yesterday today, more that hiring them forces WWE to make use of them and doing that involves some thought. Generally speaking these episodes are proof that when the creative team put their minds to it they can churn out an enjoyable episode of RAW that doesn’t follow a pay-per-view. I hope make tonight’s episode entertaining. And if they do I hope they realise that they could, in theory, do the same thing every week.